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The Scribe’s Arcanum: Anatomy of a Sale—The Hours of Sleep Part 1

I was hoping to tell you by now that I made a short fiction sale this year. Although that hasn’t happened yet, I’m pleased to report that I received an Honorable Mention for the 3rd quarter of L. Ron Hubbard’s Writers of the Future contest. I’m also told that it puts me in the top 2% of all entrants. I’m awaiting my certificate and will tell you more once it’s posted on their official blog.

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Last time I mentioned I would talk about giving your work away or, in this case, gambling on the potential for royalties, and a free electronic copy of the anthology. Think long and hard before you give up “first rights.”  Once you give those rights away, you can never get them back, and the next time you sell the manuscript, you must do so as a reprint. Reprint sales are not as lucrative as new story sales. 

Pro Tip: It’s never a bad thing to give your work away to a legitimate charity anthology.   

The idea for The Hours of Sleep began as, of all things, the original lyrics to a song. Back in 1996, I was working an interim job, and I had some extra time on my hands. My wife had purchased an entry-level keyboard/synthesizer for me to mess around on and burn through some of my creativity. This was a year before I began writing and submitting short fiction. I decided I wanted to write a progressive rock/thrash metal/goth-pop album. All I had to work with was a boombox with a double tape deck, an omni-microphone, the synthesizer, my voice, and a coffee can for reverb and echo. 

Back at my parents’ house, I would have been able to use my dad’s DJ and production equipment. But here in our new apartment, I didn’t have access to those niceties.  I no longer had a drum set, and I wasn’t hanging around musicians like I had in the ‘80s. Still, I was determined to make an album. 

Without going into the full story, I ended up writing a song called Vomit Dirt Cascade. Haha! I know… Great title, right? The title meant to call up the image of the undead exploding from a fresh grave. 

The Lyrics that inspired The Hours of Sleep short story:

Numbness kills the pain

The night was black in vain 

Latent Precambrian 

Urges to kill and win

I’ll make you my slave

Steal your blood from vein

When there is nothing left

You will be twice dead

Thirst in your black hole soul

Carrion has claimed his toll 

Now you’ve become the naïve 

But if I was the grave

Vomit Dirt Cascade! 

Vomit Dirt Cascade! 

The original title of my story was Twice Dead, but I took another song called The Hour of Sleep (inspired by John Carpenter’s Brotherhood of Sleep in the horror movie Prince of Darkness) and made it plural. 

I’ve been thinking about posting the audio on YouTube. If I do, I’ll provide a hyperlink here later. 

 Back in the year 2000, my wife and I made a return trip to New Orleans. We hadn’t been back to NOLA since our honeymoon in 1995. We stayed at the Bourbon Orleans, and a bellhop had given us some advice on where to visit and which areas to avoid. The dark and dangerous streets of the French Quarter excited my imagination. Then, in our youth, being adventurous, we had drinks at a vampire bar, as part of a tour led by a self-proclaimed “real-life vampire,” living in what is known as vampire reality, who called himself Vlad. In the center of the space, there was a cage large enough to hold a human standing upright.

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When we returned home, this experience (along with my song lyrics) coalesced into the story I eventually titled The Hours of Sleep. 

After finishing the manuscript, I sent the story out and began collecting rejection slips. One editor said he thought The Hours of Sleep was the most original vampire story he had read in ages, but he didn’t take vampire fiction any longer and wouldn’t be buying it. 

I sent it to the now-defunct Dreams of Decadence and got a great rejection letter.  The editor thought the story was original and well written but she also passed. I would later study her magazine to discover why it wasn’t such a good fit. I talk more about this in my posts about the story, Despair. 

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With The Hours of Sleep returned to my virtual trunk on my hard drive, I gave up on the story and moved on. 

In 2012, I noticed an open call for You Can’t Kill Me, I’m Not Dead Yet: a Vampire Anthology and tried my luck. 

I’ll tell you what happened next time.

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The Scribe’s Arcanum: Anatomy of a Sale—Phantom Chasers Part 2

Having noticed the From Beyond the Grave anthology’s open call for submissions, from Grinning Skull Press, I sent out Phantom Chasers, and received an acknowledgment on September 26, 2012. 

During this time, I was finishing up the final edits of a novel I’d been writing, a reimagining of the original manuscript, and coordinating with a cover artist and a professional editor for a self-publishing effort. 

On December 25, 2012,  an acceptance from Grinning Skull Press hit my in-box. I couldn’t believe it! With the help of excellent editorial feedback and my wife’s brilliant proofreads, I had edited Phantom Chasers into print! 

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The work that came after the sale: I signed the contract, provided the publisher with an author bio, reviewed and approved the galley proof, and received payment. Then, as with every anthology or magazine where I’ve been published, I assisted with promotion. 

I was included with a very noteworthy group of writers. 

Brent Abell

Gordon Anthony Bean

Rose Blackthorn

Tim J. Finn

Scott M. Goriscak

Marianne Halbert

Jeffrey Kosh

Lisamarie Lamb

Mark Leslie & Carol Weekes

Edward J. McFadden III

Adam Millard

David North-Martino

Jeffrey C. Pettengill

Nelson W. Pyles

Michael Thomas-Knight

Robert W. Walker

Cynthia Ward

Jay Wilburn

Jennifer Word

 

Description: 

For some, death is not the end. There are those who are doomed to walk the earth for all eternity, those who are trapped between one plane of existence and the next, those who, for whatever reason, cannot or will not let go of the lives they left behind. These are the vengeful spirits, the tortured souls, the ghosts that haunt our realm. Welcome to FROM BEYOND THE GRAVE, a collection of 19 original ghost stories.

You can buy From Beyond the Grave here. 

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The editor contacted me with an opportunity for feedback. Turns out an author he admired, on the condition of anonymity, offered to give a critique to the writers in the anthology. This author read the stories and commented. If we were interested, the editor would send the author’s comments and suggestions for future improvements. You bet I was interested!

Pro-tip #3: Always take feedback. You don’t have to use it, but constructive criticism should always be welcome. You don’t get better through praise; you get better by accepting that you’re not perfect and neither are your stories. Then you get to work making them better, learning with each experience until you reach a professional level. It doesn’t happen overnight. It can take a long time. For some, it never happens. All you can do is work as hard as possible to reach your potential. 

I’m having a hard time finding the original un-redacted comments. Here are the positives I’ve shared publicly. I pulled it from an earlier blog. I’d love to know who this author is, but I respect his or her privacy. 

“Another good one. A very unusual idea which was extremely well executed. Even as short as it is, the character development is pretty damned good. We know who these people are in just a few lines. The foreshadowing… is a mite obvious, but it doesn’t matter. We KNOW that someone’s going to… die from very early on, but the author makes it work anyway…” 

Okay, first, what can we take away from the anonymous author’s comments? The author felt the story was unique and well constructed. This reinforces my proficiency with story structure. Also, character development is noted as a strength. I’ve been told that previously by other editors. Always concentrate on your strengths. I’ll write a blog on why that’s so important in the future. 

On the negative side, I telegraphed the ending. Yet, the anonymous author thought the story worked anyway. Not a big deal, since genre stories often follow a pattern. The idea is to make the story so enjoyable that the reader forgives formulaic structure. Readers will excuse your deficiencies as long as you excel at other elements of the story. 

If memory serves, the anonymous author took umbrage with my description of behind-the-scenes television. He felt that I didn’t know that TV shows need plenty of people off-screen to produce a TV program. Fair enough. That is how I present the pre-production in the story. 

I am taking liberties. Ghost shows, especially Ghost Adventures, make it appear as if the main people are alone during the investigation. This might just be TV magic, but isolation is a big part of the show. 

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The same with crafting a horror story. A sense of isolation, a feeling of being trapped, is important. If there’s avenue for escape, why don’t the characters leave? 

You must also condense a short story’s narrative.
For those reasons, I didn’t fret realism.  

Now, just because it’s fun to write about, I have some experience in television. In the early 90s, for a few semesters, I completed a work-study program in the broadcasting department of a local community college I was attending. I worked with students on their projects, including taped TV programs shown on a local cable channel. 

I ran audio and worked as on-screen talent. I even had the chance to learn old school linear editing. I ran audio and lighting for Dr. Timothy Johnson (ABC) at a lecture he gave in the college auditorium. I performed the job of many people that night (yes, I did it all alone). It was hectic, but it was a lot of fun!

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Anyway, the anonymous author was right. Anyone who has worked in TV would shake their head at how I presented the production in the story. Most readers don’t know what it takes to create the shows they watch so it’s safe to keep the story as is. Most will never know.

Yet, it is important to acknowledge where the weaknesses in the story lie, and then to weigh dramatism against realism. Bruce Willis loves to squeeze through air ducts in the movie Die Hard even though it’s not possible to do this in real life——and we love it. For 90 minutes we believe he can do it! Drama wins out!

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In our next thrilling episode, I’ll go over the judgment call of giving away your stories. Is it ever worth not getting paid for your work? We’ll talk “sharing pages” with the cool kids. When you’re starting out, can association be as good as money? I’ll try to answer these questions next time. 

Thanks for reading. 

Hey, feel free to give me feedback. I’d love to hear from you. Tell me about your own attempts at publication and about any successes. I’m sure readers of this blog will benefit. Better yet, blog about your experiences and leave a link. We can never have too much information. 

The Scribe’s Arcanum: Anatomy of a Sale—The Mesomorphic Woman Part 3

When I returned to writing fiction, the first thing I did was pull out the manuscript for Violent Fall and give it a reread. I liked it, but the story was too long for a “beginning” writer to get published and the story itself was incomplete. 

Incomplete as a manuscript. I had the ending sketched out in my mind for years. 

One thing I forgot to mention last time was that in 1996 I had just watched the movie Titanic. In that film, as the story unfolds, fictional characters Rose and Jack brings us on a tour of the whole ship from top to bottom.  

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I wanted to do the same thing with Violent Fall. My central character Irina Kira would bring the reader through most of the Audallis sphere from the city of New Boston East to the forest and farmland at the top of the biosphere where she would have a “violent fall” returning to where she started in the narrative. The lower portions, the bowels if you will, remained mainly unexplored and only hinted at in various drafts. 

As I reimagined the story, I also changed the title. I had come across Somatotypes; the ectomorph, the endomorph, and the highly muscular mesomorph.  Somehow I put Mesomorphic with woman and a new title was born: The Mesomorphic Woman. I thought the title sounded like a science fiction story. I worked at erasing subplots, cutting to the heart of the narrative. 

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I also wanted the ending to be hard-hitting. This is a secret of good storytelling. The resolution should have some impact. Think Shirley Jackson’s The Lottery. With this story, I wanted the ending to have the emotional resonance of Amy Tann’s The Joy Luck Club.

 

When I finished the new draft, I put it away for a while and worked on other projects. After a second draft, I asked my wife to proofread. Then I began the submission process. 

Back in 2000, most magazines, especially the science fiction magazines (the old SF writers had a distrust for technology), required the old method of submission. This meant I had to print out a copy of the manuscript (after putting it in proper manuscript format) along with a cover letter,  clipping a SASE to the package, placing it an 8×10 envelope, and then driving to the post office to send it off.  Then I would wait a week and run to the mailbox every day for months while awaiting a reply. 

Responses came. They were all rejections. One prominent SF mag complimented me on my world-building skills but they didn’t like the story. Eventually, almost everyone began to use email for submissions, the years had gone by without a sale, but another prominent small press SF magazine said the whole editorial staff loved it but had decided not to purchase my story. And so it went over the years. I had some anecdotal evidence that The Mesomorphic Woman was a good story. A tell-it-like-it-is receptionist, who was also a frequent reader where I worked, read it and identified with my major character Irina Kira. Despite positive feedback, I wasn’t able to sell the manuscript.

It wasn’t until six years later in 2006 when my short fiction began to sell. Yet, for the life of me, I couldn’t figure out why The Mesomorphic Woman wouldn’t sell. I got better at my craft and over the years tweaked the story, tweaked the language, hoping to make the manuscript salable. 

I finally decided I had to put the manuscript away. I could write new stories in the time it took to polish old stories that weren’t selling. I abandoned The Mesomorphic Woman, consoling myself knowing that I might include it in a future short story collection. 

Later, with the manuscript secured in my virtual trunk (my hard drive) an open call for submissions for a new anthology market caught my attention. They were looking for stories just like The Mesomorphic Woman. Was it worth resurrecting the manuscript one last time? I figured I’d give the damn thing one final edit and send it out, but not without some trepidation. 

I’ll talk about this more next time. 

The Scribe’s Arcanum: Anatomy of a  Sale—Malfeasance Part 2

The Scribe’s Arcanum:

Anatomy of a  Sale—Malfeasance Part 2
Two months later, I got word that awaiting publisher approval, Malfeasance had made the cut. I was cautiously ecstatic. The editor didn’t think the publisher would kick anyone out, but she couldn’t officially accept any story without the publishers go-ahead.   
Here’s what she wrote about the story:

I really liked it. It was a great premise, good writing. I love Law and Order SVU and it reminded me of that but with an evil twist. I liked too that the villain really wasn’t in the story till the end yet he was a huge presence. I have to think that’s not easy to do, but you pulled it off.
About 21 days later, she gave me permission to announce the acceptance on social media. Then in August, I signed the contract. Realizing I could take part in my first reading and signing, I committed to attending the inaugural, but now defunct, Anthology Convention (AnthoCon) in New Hampshire. 
I had a fantastic time at the convention. 

After the reading, I took part in my first signing. Epitaphs: The Journal of the New England Horror Writers did well, selling out the 100 copies we had on hand. Then it continued to sell at other conventions and at online retailers. 

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I would be remiss if I didn’t mention that this was my first opportunity to share pages with the late great Rick Hautala (sometimes billed as the other writer from Maine, as he was Stephen King’s roommate in college), one of the authors who inspired me as a teenager during the 1980’s horror boom. 

Here’s some information on the anthology:

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The anthology features 26 stories and poems from the delightfully scary to the deeply macabre. 

Epitaphs, edited by author Tracy L. Carbone, includes an introduction by award-winning author and publisher Peter Crowther, as well as a cover by Danny Evarts. The table of contents in this chilling anthology is as follows: 

Perfect Witness – Rick Hautala 

To Sleep, Perchance to Die – Jeffrey C. Pettengill 

The Christopher Chair – Paul McMahon 

A Case of the Quiets – Kurt Newton 

Build-a-Zombie – Scott T. Goudsward 

Not an Ulcer – John Goodrich 

The Possessor Worm – B. Adrian White 

Make a Choice – John McIlveen 

The Death Room – Michael Allen Todd 

Stoney’s Boneyard – Holly Newstein & Glenn Chadbourne 

Kali’s Promise – Trisha J. Wooldridge 

The Sequel – David Bernard 

Malfeasance – David North-Martino 

Private Beach – Stacey Longo 

All Aboard – Christopher Golden 

Holiday House – LL Soares 

Lines at a Wake – Steven Withrow 

A Deeper Kind of Cold – K. Allen Wood 

Alone – P. Gardner Goldsmith 

Pandora’s Box – Roxanne Dent 

Chuck the Magic Man Says I Can – Michael Arruda 

Burial Board – TT Zuma (Tony Tremblay)

Windblown Shutter – John Grover 

Cheryl Takes a Trip – Stephen Dorato 

The Legend of Wormley Farm – Philip Roberts 

Church of Thunder and Lightening – Peter N. Dudar

Wow! What a talented group! Looking back, I find it humbling to have been part of this project. 

Epitaphs is now out of print, but an ebook version is still available. Since you can still purchase the anthology for the low sum of $2.99, I won’t be publishing Malfeasance on this blog.  Although, I am planning on recreating my reading, a reading that at one point in the narrative initiated a gasp from the crowd. Once I make a video and upload it to Youtube, I’ll link to it on this blog. 

Here’s a mixed review of my story by a reader on Amazon. It’s interesting, I was actually trying to make it feel like the reader was on a train, looking out a window, and seeing that the bridge is out ahead, knows nothing can be done about it, except take the plunge.

Malfeasance by David North-Martino: This was perhaps the most maddening story in the bunch. Just as with the previous story, I knew how it would end very early on. And yet it was crafted so intricately, I kept thinking no, I’m wrong, there’s a twist here I’m not seeing. But then… it ended just how I thought it would. Disappointing in that regard, yes, but it was still very much worth the read.

 Still, it’s good feedback, and I’m always trying to improve. Many times, a mixed or bad review can teach you much more than a fawning one. Check your ego at the door. 

If you’re interested, you can read a sample and get your e-copy here. 

Review of Hank Schwaeble’s Angel of the Abyss

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Hank Schwaeble’s Jake Hatcher is back in his third novel, The Angel of the Abyss. As always, and just like his short fiction, Schwaeble crafts a rollicking good tale that will keep you turning the pages.

The beginning of this tale has Hatcher facing a demon, although it’s more complicated than that, giving Hatcher time to exercise his sarcastic wit. Fans of Supernatural and Ash vs. the Evil Dead will definitely appreciate the humor.

The mood becomes more serious and dire in the second act. The middle of the book, unlike many writers who get bogged down at this point, is where Schwaeble really shines. He does a great job writing from the perspective of Amy, Jake’s true love, who is also a former cop. I actually enjoyed Amy’s scenes even more than Hatcher’s. The two of them fight like the proverbial married couple, of which, I’m sure, many readers will be able to relate.

Schweable also does a fine job of taking on the perspective of a young boy. We meet the boy while he’s in a precarious situation, and we know from the beginning that the boy will converge with Hatcher and Amy at some point in the story. I won’t spoil it for you, but I think you’ll be racing to the end to find out what happens.

Hatcher’s past is constantly catching up with him, complicating things, and fans of the series will get some closure on events that were set up in the previous volumes. New readers can start here; Hank does a great job of bringing you into Hatcher’s world. You won’t feel left out or confused.

The last third of the book builds up to a hellish crescendo leaving this reader wanting more. There are questions left unanswered, promising a fourth book in this popular series. The Angel of the Abyss has it all: likable characters, demons, black magic, possession, secret military installations, cults, and lots of action. If you want a story to get you in the mood for Halloween and beyond, pick up The Angel of the Abyss. You won’t be disappointed. Highly recommended.

Wolves of Vengeance

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WHO WILL DIE?

There are creatures in this world born of vengeance, tempered in blood, with a lust for killing, and an insatiable appetite for death. They have come through a rift that bridges the earth with the underworld. And now that they are here, they will kill anyone who tries to send them back.

A reformed drug addict and criminal, a high school bad girl all grown up, a detective with a troubled past, an occultist turned martial artist, and a female Special Forces soldier will band together and risk everything to stop them. On holy ground they will make their final stand, but before the night is over these unholy creatures will drag two of them to hell.

WOLVES OF VENGEANCE

My novel is out! Buy the Kindle edition of Wolves of Vengeance at Amazon for only $2.99!

http://www.amazon.com/Wolves-of-Vengeance-ebook/dp/B00F3GU182/ref=sr_1_1?ie=UTF8&qid=1379009709&sr=8-1&keywords=wolves+of+vengeance