Category Archives: Writing

The Scribe’s Arcanum: Anatomy of a Sale—The Mesomorphic Woman Part 1

In 2012 and 2013 the floodgates opened with numerous story sales and publications. I even published my first novella, an ebook. Then I lost momentum. Everything from that time is a scramble in my brain. I had a death in the family that threw me for a loop, multiple projects, and high hopes.

It began with the sale of a short story originally envisioned and started in 1996, then finished and rewritten in the year 2000. I never imagined how long it’d take to sell that story. Yes, 12 years to sell it and 13 years to see it in publication, if we only count from the year of the rewrite. 

I’m sometimes asked when you should give up on a story. It’s a hard question to answer. Some stories sell quickly, some take longer, and some never sell. In this business perseverance is everything. 

The origin of the story begins much earlier than even 1996 though. The first inkling arrived when I was in high school. Back then, a new game show appeared on the air later at night, at least in my market. The program, American Gladiators, pitted superhero type muscle men and women against your run of the mill athletic but common Joe and Janes. 

 

The contrast reminded me of Joe Buscemma’s depiction of the superhero vs. the ordinary person in How to Draw Comics the Marvel Way. 

how-to-draw-comics-the-marvel-way-page-38

While watching the program, an idea hatched. Raye Hollitt (Skin Deep), a female bodybuilder who used the stage name Zap, inspired me. 

Zap

Wouldn’t it be interesting to cast her in an action film like the ones in which  Sylvester Stallone or Arnold Schwarzenegger starred? I decided the world was not ready for that idea, and besides, I didn’t know how to write or submit a screenplay, anyway.  

80s icons

Around 1996, with the 1980s horror fiction implosion far behind me, I returned to reading Science Fiction. I picked up copies of science fiction magazines, read Neuromancer,  and caught up on some 80’s SF I had missed. 

Neuro

While perusing an issue of Science Fiction Age, I read a steampunk story and used it as the model for the tone of my next manuscript. Continuing to take my cue from that story, I mirrored not only the mood, but the female lead. Unfortunately, after looking through a pile of back issues, I haven’t been able to identify the story that inspired me. 

SF Age

As I wrote, the muscular female idea reemerged and Irina Kira was born. I remember reading or thinking Kira was a Russian name that meant Strong woman. Although, Kira, from my research for this post, means “leader of the people.”  

I decided a Russian first name, Irena, which means peace, matched one theme of the story. Leading the people into peace seems à propos, but what happens after the end of the story is up to your interpretation. 

 I envisioned a muscular woman living in what had once been a utopian society within a biosphere orbiting Venus. A popular self-help book of the time, Men are from Mars, Women are from Venus, inspired me to use Venus as the location for the orbiting biosphere space station.  

Men from Mars

Looking for a name for the biosphere/space station, I dreamed up the Audallis Sphere. It sounded like something out of a SF story. 

I came up with a history of the biosphere and the science behind Audallis’ artificial gravity, neither made the completed manuscript.  

Then I chose to include a controversial idea that would forever change the direction of the manuscript. 

We’ll talk about that next time.

 

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The Scribe’s Arcanum: Anatomy of a  Sale—Malfeasance Part 1

 

I wanted badly to be in the inaugural New England Horror Writers (NEHW) anthology. Unfortunately, my first attempt was a failure. Then I turned it around. 

In 2011 my senior year at University was ending, and I was immersed in finals. I had sold The Language of Ice and was spending a good amount of time promoting the anthology. Then I found out about the debut anthology from the NEHW, a group I had been a member of for a few years. They had floated the idea for an anthology around for a long time, and finally, the project had received a green light. They’d decided on an editor and were opening up for submissions. Wow! I really wanted to be in that anthology. To represent NEHW in their inaugural publication would be an honor. The problem: I didn’t have the time to write something new. At least, that’s what I thought… 

Fortunately, I had already written a ghost story, Phantom Chasers, that I was beginning to shop around. Prepping the story for submission, I sent it out and hoped for the best. There was nothing left to do but return to my studies. 

Shortly thereafter, the editor let everyone know that the first round of rejections had gone out along with notifications for those placed on the shortlist. They would accept no story until they had read all the manuscripts, giving everyone a fair shot. The only problem? I didn’t hear either way. 

 Sending a polite email, I awaited a response. 

The editor contacted me. My story was indeed shortlisted, certainly publishable, but probably not strong enough to make the final cut. Bestselling writers were slated to send in tales, and everyone had to bring their A-game. Although, the editor encouraged me to send another story.  

Clarifying what she wanted, she told me to send in something that was timeless, like Ray Bradbury’s The Dwarf, or something that had more of a gut punch at the end, like Shirley Jackson’s The Lottery. 

Thinking about all the stories I had available, I realized why some of them hadn’t sold. They were missing key ingredients.
Later, based on what I learned writing Malfeasance,  I would revamp Phantom Chasers and sell it, but that’s a story for another time. 

I felt encouraged, but it seemed like a daunting challenge to write something that would make the cut. Could I write a story that was both timeless and visceral? Despite the time crunch, I was up for the challenge. 

I had an idea to use the “ticking time bomb scenario” thought experiment as the basis for the story. Basically, an ethics debate on torture, I worried that my story might be too controversial for the current climate. Never one to back down on sensitive subjects, I went ahead with the story anyway. 

A mother and daughter would be the main characters in the story, culminating in a parent’s worst nightmare.  If I could affect the editor, I might have a chance of getting into the anthology. 
Spending the full month crafting Malfeasance, I sent in the story at the 11th hour. I opted to change the ending,  in hopes to give more twists and turns to the story, but my wife suggested I go with the first version as she felt it was more powerful.

Sending it off, I hoped for the best. 

Next time, I’ll tell you what happened. 

The Scribe’s Arcanum: Anatomy of a  Sale—The Language of Ice: Part 2

I need to make a retraction. I didn’t wait until 2011 to market my story The Language of Ice as previously stated. Looking back at my Fiction Submission Log, I discovered that I actually began sending the story out in 2009, not long after writing it, and racked up five rejections before finally selling it and receiving my acceptance letter on February 11, 2011. 

Anyway, I don’t have notes on how I found the publication. Maybe I stumbled upon it on Duotrope or Ralan.com. Either way, I noticed an open call from a new anthologist who had been a member of the Science Fiction Writer’s of America (SFWA). She’d had stories accepted professionally by Marion Zimmer Bradley (this was long before some allegations came out about Bradley and her husband. I’ll leave you to research it if you’re interested), before transitioning into a copywriting job. At the time she had just retired from her corporate career and was looking into what opportunities were available to continue her creative writing career from where she had left off. 

Extinct Cover2

Now going by the pseudonym Phoenix Sullivan, she decided to enlist a cadre of international authors to create a Science Fiction e-anthology titled Extinct Doesn’t Mean Forever to support her SF novel SECTOR C that she was looking at publishing through her own imprint, Dare to Dream Press. 

Sector C

Extinct Doesn’t Mean Forever, with its theme of returning from extinction, seemed like a good fit for The Language of Ice, but I figured it would just end up being another rejection on the long road to publication. 

I sent it out, like I always do, by first reading through the manuscript, fixing anything I may have missed, sometimes giving it back to Patty for a second read through, and then formatting the story per the guidelines (GLs). 

Once that was complete, I wrote out a cover letter. At the time, I was sending all stories through email. I’d included a targeted cover letter in the body of the email, and attach the manuscript as a Word document.

With everything in order, I sent it out and hoped for the best. There was nothing to do but continue to keep writing and submitting, and of course, wait. 

I received an acceptance letter in approximately 24 days! A few days later I electronically signed the contract for publication and was asked to write what amounts to a back cover blurb describing the story without giving anything away. 

Here’s the blurb:

When a Neanderthal skeleton arrives at her museum, Cassie learns a woman dead for thousands of years still has something to teach the living – THE LANGUAGE OF ICE by David North-Martino

Then I was asked to send a bio. A few days later I received something that would change the way I wrote forever—a line edit. A line edit by a pro author turned editor no less.  

In the interest of time, Phoenix had already made the revisions. That required me to take a copy of my original and read through with highlighter in hand. Before I worked on that task, I read the corrected proof she had sent me. I thought it read even better than I had remembered. 

Of course, it did! Phoenix had given me some masterful revisions. Now with that said, I think my voice may have been bled out a little, but I have to say I learned a lot from that line edit. It helped me to understand what I was doing right, and where I was falling short. How I could create more clarity for the reader, and how I could sand off the rough edges of my writing style. 

This is what writers need. They need mentorship. As the old saying goes, you don’t know what you don’t know. You need to have eyes before you can see. I am forever grateful for that line edit. It helped make me the writer I am today. 

The Language of Ice ended up being published in the Dare to Dream Press first edition of Extinct Doesn’t Mean Forever, the second edition from Steel Magnolia Press, and was also released as a short story in ebook format. 

Language of Ice

The anthology supported the Save a charity which gave me the impetus to send out press releases. I met some wonderful writers from around the world and learned a lot about the publishing business. 

For the first time ever, I began to receive royalty checks. They were small, but it was very cool to get money when the anthology sold. 

The anthology is now out of print and the rights to the story have reverted back to me. Should I post it here for all to read? Let me know in the comments. 

I’ll see you next time. 

***

For posterity I’ll include the Table of Contents with all the blurbs below: 

1. Jase was her ghost in the machine, a shaded memory captured in synthesized pixels. Near enough to see, too distant to touch. Could they still connect? – LAST SEEN by Amanda le Bas de Plumetot

2. She didn’t realize how deep her loss ran, until a saber-tooth cat helped heal the past and point her toward a future she didn’t know she needed – PAST SURVIVORS by Sarah Adams

3. Vesna discovers from an unexpected source just how old the dance of love truly is – FOOTPRINTS ON THE BEACH by Aleksandar Ziljak

4. John doted on the French touring car he’d lovingly restored. Can his dead wife teach him other things are worthy of his love too? – THE RESTORATION MAN by Simon John Cox

5. When a single mum returns home to Tasmania with her young son, her efforts to settle back in take a strange twist – A DARK FOREST by Jen White

6. Keeping a baby dinosaur secret from prying TV people and scientists is no easy task, except when your family have been keeping sacred traditions secret for generations – MY OWN SECRET DINOSAUR by Jo Antareau

7. When a Neanderthal skeleton arrives at her museum, Cassie learns a woman dead for thousands of years still has something to teach the living – THE LANGUAGE OF ICE by David North-Martino

8. With human hunters closing in, Kerg concocts a desperate plan for survival. Just one problem: he isn’t the only one looking out for family – TWILIGHT OF THE CLAW by Adam Dunsby

9. Lucia doesn’t believe in angels — but she might believe in a little boy cloned from a forgotten race – THE ANGEL GENOME by Chrystalla Thoma

10. Geri’s father finds the remains of an alien culture, proof we’re not alone. But he leaves Geri feeling more alone than ever – IN RING by Scott Thomas Smith

11. Had it been left to protocols rather than human ingenuity, Commander West’s expedition might have overlooked one of Mars’ greatest treasures – BONES OF MARS by D Jason Cooper

12. Endless Power, Inc prepared Angel for the physical dangers of harnessing a new energy source. But no one prepared him for how to cope afterward – HUNTING THE MANTIS by Adam Knight

13. Bridges of meaning built through symbols alienate as much as connect. But the Virtual Bridge Sri plans could reconnect the lost hopes of a dying civilization – CONNECT by Kenneth Burstall

14. Fleeing with the last remnants of the Oshen race, Indigo has only one chance to ensure his people are never forgotten – INDIGO’S GAMBIT by Adam Israel

15. When his pampered world loses the technology it depends on, extinction looms faster than lonely survivor Levo could ever expect – BLOOD FRUIT by Shona Snowden

16. When a new bio-weapon in the wars on drugs and terror gets out of control, can the supplier really be held responsible? – A THORNY DILEMMA by Rory Steves

17. Capturing mammoths was all in a day’s work for Deke. The saber-tooth cat, though, was going to require something bigger than an elephant gun – INVOICE H10901: 3 WOOLY MAMMOTHS by Robert J. Sullivan

18. After George makes a momentous discovery, the distractions start piling up. His wife cooks up a surprise to remind him love is always worth sacrificing for – DISTRACTIONS by Peter Dudley

The Scribe’s Arcanum: Anatomy of a Sale—The Language of Ice: Part 1

The year 2011 was a great one for me. I finished my coursework and graduated magna cum laude from UMASS Lowell with a Liberal Arts Degree with concentrations in English and psychology. I also decided to ramp up my writing and submitting efforts and ended up landing another fiction sale with a story I had written but had never planned to publish.   

The story that would become The Language of Ice was originally inspired by an article in the April 1998 issue of Discover Magazine; Entitled: New Women of the Ice Age. The article purported to recast prehistoric women as more active than passive in roles that were believed to be traditionally held by males. 

Discover 1998

Originally, I imagined the story idea as a screenplay. In my mind’s eye, I saw a group of archeologists and anthropologists standing around a table, addressing a group of reporters, and making assumptions about a female skeleton. Then the camera slowly zooms into and through the bones.  When the camera emerges on the other side, we see this ancient woman when she was alive and how she may have actually lived her life. 

I imagined the story like it was a movie. I had the opening, but nothing else. 

The idea stayed with me, but I didn’t do anything with it. 

Then sometime in the mid-2000s, I watched a documentary that dramatized the theory of early humans interbreeding with Neanderthals. They showed a neanderthal female tenderly touching the face of an early human, and that’s when The language of Ice was truly born. 

With all my college coursework mounting, I didn’t have the time to explore the idea. Then I ended up taking an advanced creative writing class to satisfy part of the requirement for my English concentration. The class was geared toward publication, but interestingly enough, the professor didn’t have any publishing credits. My puny two published stories at the time dwarfed my teacher’s experience, along with everyone else in the class. 

One student balked when I said I only had two writing credits. It didn’t seem like much to me, I had been to writing conventions where I got to hang out with best-selling authors who had published on upwards of fifty professional books. 

The professor wanted us to write a literary story with an eye toward publication. I’m a genre writer and didn’t have any ideas that boarded on straight literary fiction. Then I thought about the woman of the ice age idea that I had been carrying around since the late 90s, and it collided with the neanderthal idea exploding into a full-fledged story. 

Since it had to be literary, I wanted to make the story somewhat ambiguous. I decided to create a narrative where the main character, a museum curator, begins to think she might have been a Neanderthal woman in another life. Is she imaging the whole thing or is she having a spiritual experience? The whole point was to let the readers decide. 

When I passed in my story homework, my teacher liked it, but she wanted me to make the story ending more concrete. If she had been a paying editor, I would have been happy to oblige, but I was doing so well in the class and disagreed so fervently with the direction she wanted to take my tale, I decided to pass in my homework sans those revisions. She wasn’t exactly happy about it, but I think I still got an A. 

With school still taking up so much of my time, I put the story away and didn’t even think about looking at it until 2011. 

IMG_0322-1

After graduation, I’d have the opportunity to submit my manuscript, created for an English class, to an anthology filled with the stories written by a cadre of international authors. 

And I was vindicated! I sold that story with the original ambiguous ending!

I’ll tell you more about how that happened next time. 

GRAVEN IMAGE by David North-Martino

Graven Image by David North-Martino ©2004, 2007, 2019 

Graven Image originally appeared in The Swamp, and Afterburn SF 

“Our clients all have a peculiar fear. They’re not convinced their loved ones will stay dead,” the Director of Sanguine Mortuary said.  

Hatch fought for control, he thought he might go from smirk, to grin, to all-out laughter.  

The Director, his face as dead as any of the clients entombed in Sanguine’s walls, stared at Hatch from behind an expensive looking oak desk. The dire need for the job forced Hatch’s expression to the same state as the director’s name.

“Mr. Stone, I——”

“Jonathan, I know what I’m telling you might be hard to accept, but we provide a valuable service to our clientele.” Stone wrinkled his face into his best mortician’s smile. 

“Mr. Stone,” Hatch said. “I really need this job. Whether I believe or not, I can watch your building and everything in it.”

“You seem like a good fellow. Pity, companies will throw away employees after a decade of service.” Mr. Stone gently placed Hatch’s resume on the desk. “I’ll give you a chance, just keep your wanderlust to a minimum. The last guard couldn’t contain his curiosity. If he hadn’t up and disappeared, I would have had to fire him.”

Elation! At this point, any job was a good job. He made a mental note to pick up a bottle of wine on the way home. He and his wife would, at last, have something to celebrate. But behind the euphoria and relief, something nagged at him. Later, when he gave it some thought, after half a bottle of wine and with his wife in a satisfied sleep beside him, questions arose, questions he couldn’t answer. They chattered through his mind, lulling him into a troubled sleep.  

#

“Uh——what’s on the monitors?” Hatch asked. The surreal images were better than caffeine, no way he would drift off with those things staring at him. 

“Those? Oh go on, take a good look.” Michael Evans, the Second-Shift Sergeant, said. “What do they look like to you?” 

“Looks like dead people.”

“Those are our charges, three-hundred, and thirty-eight of ‘em.”  Evans seemed proud with the knowledge. “Oh, don’t worry, they ain’t gonna bother you much or entertain you for that matter.”

“Then why are we monitoring them?”  

“Just in case they wake up,” Evans said. Hatch felt a chill shoot into his groin. Soon he would be here alone——alone with them. 

Then Evans broke into a fit of heaving laughter. “Naw, they ain’t gonna wake up. I’ve been working here for five years, since I retired from the military, and I ain’t never seen a-one so much as wrinkle a nose.”

Hatch stared at the monitors again.   

“See, we have some very superstitious rich people around the world, and Sanguine helps alleviate their fear——and a good amount of their cash.” Evans shook his head back and forth in mock disbelief. “Got to show the client something right? Show the client that us security types are watching their loved ones twenty-four-by-seven. Kinda makes me chuckle. But it’s a good gig, especially on off shifts.  

“We don’t get no visitors, grieving family members or anything like that. We let the dead lay, play a little poker——you’ll have to play solitaire——and walk around a couple times. Make sure things are safe and secure——for the world outside I guess.” 

He laughed again as if the whole thing were ludicrous.

Evans showed Hatch around for the rest of the hour. He saved one piece of trivia for last.

“This is what I call the Bat-Phone,” Evans said, and Hatch understood why. The phone looked like an old model from the 1960s, rotary dial and all, and it was colored red like on the TV show. “In the unlikely chance that——something unusual happens——you pick up this phone and——well, after that I don’t know, but I’m sure you won’t find out. Damn thing probably don’t even have service.”

Evans had a pitying look on his face, like he was about to leave his favorite cat at the Vet to be euthanized. Hatch wondered if he could handle staying at Sanguine Mortuary alone for fifteen minutes, never mind eight hours.

“What happened to the last officer who worked the third shift?”

“Harold Drendle? Shoot——he’d worked here long as I did.  We used to talk a little at shift change, and he confessed to me he was having marital problems, problems caused by money, which by the way is how they always start, and then one day, I guess he was sick of it. He up and abandoned post sometime before shift change and he hasn’t been seen since. 

“He told me in confidence he was planning to go to Hawaii, had been socking away a little here and there. So, don’t you be letting your mind wander and go thinking nonsense. You’ll get used to this place soon enough.”  

#

Soon enough just wasn’t soon enough. Evans hadn’t been gone ten minutes, and Hatch was ready to abandon post. The ghoulish images only provided unwelcome company.  

Hatch turned his attention to the phone. He reached over, touched the receiver’s smooth plastic. Who was on the other end?

What was on the other end? 

The thought made him shudder. He withdrew his hand.  

He couldn’t just sit there with the monitors tuned to Dead-TV. He grabbed the Mag light, the weight comforting in his hand, and headed out for the first round of the evening.

Hatch’s footfalls echoed through the empty mausoleum. Every fifteen feet the wall receded to reveal a cluster of grave nooks. Accent lights reflected dimly off metal plates, revealing the names of the departed. They surrounded him. Outnumbered him. 

He rounded a bend and found the first key-point next to the chapel door. 

How long had it been since he had last attended church? He couldn’t remember. He touched the tour recorder to the plastic key, listened for the chirp, and then looked at the LCD screen. 

ChapHell, next key point inside.

Hatch shook his head, maybe when he got back to the command center he would fix the typo.  

Hatch flicked on the lights. The antiseptic nondenominational room radiated comfort, as if something from beyond could reach out and protect all those who entered.  

A feral cat’s mew? A crying child? A vocalized rush of wind raging through the hall toward him? 

Hatch crossed the threshold, pulled at the cherry-wood door and held it shut. The chapel shook and the doors threatened to pull from his grasp. Then the pounding shrill scream stopped, and Hatch stood in silence. 

“Damn trains,” Hatch said under his breath.  Then he remembered he was standing in a chapel. He looked up. “Sorry.”

Hatch continued with the tour. He came to a short stairwell that led down to the basement level. Cautiously, he descended. 

Hatch switched on the flashlight and adjusted the beam to full width. The key-point waited at the end of the hall surrounded by darkness. Hatch felt around for a light switch but found nothing. His pulse pounded in his temples.  

Making quick time, he passed closed doors on either side of the hall. He touched the tour reader to the key and waited impatiently for the chirp. 

A red door to his right caught his attention. He tried the handle. 

Locked. 

He glanced back toward the stairs, then back to the door. His curiosity got the better of him, and he tried his keys until one fit the lock. 

Match stepped inside a room filled with black metal file cabinets. The beam of light illuminated a unique cabinet——a red cabinet. 

He found a jagged hole where the lock should have been, as if someone had cut the mechanism out of the frame. Hatch opened the top drawer and then rifled through musty folders and yellowed papers. Most seemed to be nothing more than death records. Every soul buried at Sanguine must have been stored in that room. But then he found something else. 

A letter, age stained and watermarked, written on parchment with what appeared to be a quill pen, ignited Hatch’s curiosity. His eyes widened as he scanned strange sections:

Thank you again for taking this burden from me.  I am getting much too old to act as custodian any longer… 

The families absolutely insist on having guards. I know it sounds ridiculous, as if flesh and blood could really protect anyone from what is now in your possession… 

Feeding time is distasteful, but it lasts a relatively short time. I was lucky to only witness it for two full cycles in the twenty years since I acquired the collection. The dead must feed before they sleep… 

The dead must feed? 

What the hell did that mean?

A booming metallic reverberation made him jump. The sound had come from the hall. His mouth went dry and his throat tightened, but he had to check it out. That’s what he was being paid to do. 

Hatch cautiously stepped out into the hall. 

The reflection of his flashlight beam caught movement through a window in one of the doors. 

Anybody Home?

Hatch inched closer, shined the light inside——recoiled.   

A man stood, if that’s what you could call the thing that stood before him, dressed in a moth-eaten suit, bending over what looked like a metal cadaver table. 

The terrible thing that looked like a man chomped and smacked his lips as he devoured what remained of a body on the table. The head and chest were all that remained of the corpse ——everything else had been consumed. 

Hatch hacked and heaved, but nothing came up, as if his insides had turned to dust. He looked back at the window. 

The ghoul turned its head and looked at him, still stuffing flesh in-between the stitches that held his lips together. 

The ghoul grinned at him. 

Then came the screams.

Hatch raced through the halls double-time, the shrieks of the dead nipping at his ears. 

Which way out? 

He couldn’t remember. 

He passed the chapel. Sanctuary wouldn’t do, he needed the command center. 

He needed the phone!

Hatch slammed shut the command center door. 

No lock. 

The irony sent him into hysterics. 

Hatch turned around. The monitors were still trained on the coffins——some were empty. 

The cadavers that remained opened their eyes. 

Shit! 

Hatch reached for the phone——hesitated——picked it up. 

The phone automatically dialed. 

The ringing scratched in his left ear, the dead wailed in his right. 

“Pick up——damn it! pick up!”

The ringing stopped. 

A moment of hesitation on the other end of the line.

“I told you to curb your curiosity, Jonathan.”

The door buckled. Glass shattered. All went black.

***

Even with his eyes closed, Hatch could sense that Sergeant Evans stared at him, stared at the monitors. Curiosity could be a terrible thing, recognition worse.  

 The high-pitched chatter from the others Hatch only heard in a sanguine whisper, but he could understand what they wanted, what he also wanted. One last time before the sleep.  

The hunger rose in him—-in them——and in unison——and to the terror of Michael Evans——they all opened their eyes. 

-FIN-

The Scribe’s Arcanum: Anatomy of a Sale—Graven Image: Part 2

In 2007, marketing my short fiction had taken a back seat to everything else going on in my life. I was still planning on opening a small business, and I was working toward earning my bachelor’s degree. 

I continued to plug away on a novel, along with writing and submitting short fiction as time allowed. 

It had been about three years since my short horror story, “Graven Image,” had been published at The Swamp, and the year before, I had made my first paid sale by winning a contest at Dark Recesses Press.  I decided to try to sell “Graven Image” as a reprint to a webzine called Afterburn SF. 

Graven Image ended up  rejected by Afterburn. I put the story aside to await another viable market, and for a time it was out of sight, out of mind. 

Not long after, I received an email from Afterburn SF asking if the story was still available.  Turns out, the owner sold the webzine and the new publisher/editor, having found a copy of Graven Image among the paperwork he had acquired, read the story, like it,  and decided he wanted to publish it! 

What an amazing surprise!  I just felt happy it wasn’t sitting in some other magazine’s slush pile (that’s an old term for unsolicited manuscripts that used to litter the floor of publishing houses in the days before email and submission websites). 

Even more surprising, he paid me six times as much as I would have received from the previous editor. I agreed, of course, and not long after had my third publishing credit and my second paid story. 

After selling Graven Image, my focus went back to my studies. I wouldn’t make my next sale for another four years. Graven image would later be adapted for audio. I’ll get you a link soon. 

After graduation, I’d take a story I wrote for an advanced creative writing class, and turn it into my next writing credit. 

I’ll tell you more about it next time. 

The Scribe’s Arcanum: Anatomy of a Sale—Graven Image: Part 1

Despite my best efforts to the contrary, I made my second fiction sale in 2007. I hadn’t been focusing on my writing. Instead, I had spent most of my time pursuing a business opportunity, and earning a long overdue bachelor’s degree. The sale itself came as a surprise. You see, the same paying market that rejected my story would accept it not long after. Here’s how it happened: 

One morning, I awoke from a nightmare. In the dream I had been staring at a monitor bank, and on each screen was a live video feed of of a corpse in repose. The image remained with me, and I ended up building  the story Graven Image around it. 

Having worked for many years in the security industry, working my way up from a security officer to a manager at a nine building Fortune 500 corporation, before being promoted into the HR department at the district office, I decided I would write about a character who had been downsized from a job in corporate America and ended up needing to take a security job to make ends meet. 

Although it’s never mentioned, to round out the setting, I decided to set the mortuary in the story in my fictional town of Wellington, Massachussets. My first novel WOLVES OF VENGEANCE also takes place in the same fictional location. A forthcoming thriller novel, YEAR OF THE ASSASSIN, has characters connected to that town, but there is no supernatural element in the story.  

Much like my previous story sale, Despair, this tale is pure horror. Some of my later works tend to mix the horror genre with crime fiction or science fiction. 

After finishing the story, I began the process of sending out Graven Image to market, starting with the top markets and then working my way down from highest paying to lowest. 

Although, this is a tried and true method, it’s not always the most efficient way to make a sale. More on that in another post. 

 Close to four years had gone by with only rejection letters to show for my efforts. I was active on a horror fiction message board at that time and noticed that some novelists, with mass market paperback deals, were submitting to a webzine called The Swamp. The  Swamp didn’t offer payment, but just like with Dark Recesses Press, I liked the people who ran it, and felt it would get my work some exposure. 

The joke is that people die of exposure. But I needed an acceptance of some sort to keep pushing on. There was no guarantee that I’d get an acceptance, even in a non-paying market. I figured it was worth a shot, and if I got in, the acceptance would place my story next to some successful writers.  

Finally, I received an email acceptance. I’d have my first publication credit, and a sample of my work that could be read for free online. I was stoked! 

 I received great feedback on that story. Readers liked the creepy atmosphere, and two family members refused to read any more of my horror stories because they said it gave them nightmares! That’s high praise when you write horror.  I had transfered my nightmare to at least two other people. Mission accomplished! 

Three years later I would attempt to sell Graven Image as a reprint to a paying market. Like I mentioned above, it would be rejected by a paying webzine before later being accepted by that same webzine. I’ll tell you all about how that happened, and how I made my second paid story sale next time. Since, like Despair, Graven Image is out of print, I just might post it here on my blog after posting Part II.

Stay tuned!