Category Archives: Speculative Fiction

Free Horror Fiction: Shattered

I just wanted to announce that my cosmic horror story,  “Shattered,” is included, and free to read, in the 11th Anniversary issue of The Horror Zine! Check it out here!

The Horror Zine

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The Scribe’s Arcanum: Anatomy of an Indie Novel—Wolves of Vengeance Part 2

 

As an organic writer, I firmly believe in letting the characters dictate the narrative within the plot structure. To that end, I created the first three main characters. 

Jack Amon

Jack, much like his real-life counterpart, was a former bully in high school, a drug user, and a problem drinker. Turning his life around, he moves out of the fictional Wellington, Massachusetts, and gets a job in construction in the equally fictional Farmington, MA. When he hears about his old friends dying from wild animal attacks, he remembers the curse Michael Matheson put on all of them. A curse they had laughed off. He returns to Wellington to attend a funeral and to investigate the real reasons his old classmates are dying. Writers often use the name Jack for the quintessential hero, but I also had another reason. As I mentioned in part 1, I received partial inspiration from Flatliners (1988), and Kiefer Sunderland’s character in the film. The TV show 24 made me think of Sunderland as Jack Bauer. I decided Jack would be a good first name.  In high school, I loved King Diamond’s horror concept albums and took Jack’s surname from the house (Amon) in the albums, Them and Conspiracy. 

Michael Matheson

Michael was bullied which eventually led to him attending Gold’s Tae Kwon Do to protect himself. But Michael had a dark side, dabbling in black magic and the occult. Finding a spell in an old grimoire, he performed a ritual to awaken the Wolves of Vengeance, a corporal curse to attack his bullies. After performing the ritual, nothing happened. Michael chalked it up as a failure. Twenty-something years later the Wolves finally arrive and begin killing their marks. Michael never left Wellington and took over the school when Gold retired. Michael comes from my middle name and Matheson as an homage to Richard Matheson, the author of such works as I am Legend. Like Jack, he’s a composite character, drawn from more than one person, but he’s somewhat based on me. 

Katty LaRocque

Katty was an aspiring musician in high school (a guitarist to be exact) and a self-described rocker chick. She, like Jack, has a problem with alcohol. Unlike Jack, she’s a full-blown alcoholic. Her pet name derives from her high school persona (catty) and Andy LaRoche’s (King Diamond guitarist) last name.  She’s based on various musicians I knew in high school and a real-life rocker chick from my high school. 

 

Welcome

Welcome to Hell: A working Guide for the Beginning Writer

I had read Tom Piccirilli’s Welcome to Hell: A Working Guide for the Beginning Writer. Pic suggested newer novelists lightly outline the first half of their novels. I took his advice. Once  the outline was complete, I realized the manuscript would only reach novella length. Needing to beef up the manuscript, I asked myself this question: 

What characters do I need to tell this story?

Police involvement was a given. Adding a detective made sense. 

The only thing I worried about was voluminous research. What experience did I have that I could transfer to the character to make him believable? Turns out, I had more than I thought. 

I had worked a decade in private security, part of the criminal justice field. First, as a patrol officer, then as a security manager, and finally as a human resources recruiter. Security work put me in regular contact with police, fire, and EMS. As a security manager, I had performed investigations and later worked for a security and investigations firm, picking up interesting information directly from private investigators.  

My dad had also worked in private investigations, safety & security, special police, and fire, along with being one of the first EMTs in Massachusetts. He had been in charge of makeup and effects for emergency response training. When I was a kid he’d sometime practice the makeup effects on me. I grew up with this stuff! 

I had also recently visited my local PD to renew a license and got the nickel tour. I used my hometown police station as a model for the one in the book. 

The Writer’s Digest Howdunit series filled in many of the gaps. 

How

Police Procedural: a Writers Guide to the Police and how they work

With the research and experience in mind, I set about creating Detective Adrian Callahan. Originally, he was nothing more than a generic Irish cop. My wife would later express an idea that would help flesh out his character. More on that later. 

All in all, I consider my detective a success. I had a former law enforcement officer say as much.  He felt my  detective was accurate and believable. You can’t get much better than that.

With the decision to include a detective, I then decided that the military in some form might also be involved. I thought about adding a grizzled military captain but not wanting to  include another generic character, I cast a woman as my military captain. At that moment, Captain Amanda Rann was born. 

Next time, I’ll discuss how Callahan’s changes made him a controversial character, and how Rann becomes a driving force in the novel. 

Get Wolves of Vengeance here!

Black Magic Bullets: Chapter 17

 

I have finally returned to Black Magic Bullets. This chapter is very short, but after so long a wait, I wanted to post something. I’m sorry for the delay. Before I present this next chapter, let me explain what led up to the previous chapter.

I had no idea what would happen when Kenzi and Harrison entered the basement. Usually, I’d just write out of order and go to a scene a little further along in the narrative, but since I’m posting the first draft publicly, I didn’t want to leave the audience hanging. By moving on, the next scene usually tells me what needs to come before. In that way, I can become unstuck and move on. Since I wasn’t going to do that, I had reached an impasse. Luckily, an idea arrived quickly.

Everything I read, watch, and experience tends to inform how the story develops. Black Magic Bullets is no exception. 

Interestingly enough, we ended up putting on Bright with Will Smith on Netflix one night. Not a great movie, even when just streaming in the background.

Bright

Bright reminded me of Alienation meets Lord of the Rings in an Urban Fantasy world. I thought it interesting how close the orcs and elves were to J.R.R. Tolkien’s creations. After the movie ended, I realized I wanted to put orcs in the basement level of the building in Black Magic Bullets. I was intrigued but didn’t want my story to be derivative of Tolkien’s world.

LOTR

The Lord of the Rings*

Then I remembered Ogre, Ogre by Piers Anthony, a novel set in his Xanth series. I hadn’t thought of that novel since the mid-80s. Using an ogre appealed to me more since they’re derived directly from world mythology.  And that’s how ogre’s ended up in my manuscript.

 

Ogre

Ogre, Ogre (Xanth)

Now, without further ado, here’s the 1st draft of Chapter Seventeen.

 

BLACK MAGIC BULLETS

An Urban Fantasy

by

David North-Martino

Working as an Inhuman Resources Recruiter is no walk through the cemetery, especially when you’ve been cursed and your head is filled with stollen secrets from one of the most powerful occult groups in Boston. To survive, you might just need a few…

BLACK MAGIC BULLETS

Chapter Seventeen

The next location went much the same way as the first, this time—thankfully— with no ogres. That was a relief. But all this searching was eating up time. 

Cyber contacted us not long after we dejectedly left the second abandoned structure. She had an idea for a place to check out that I would never have imagined. I supposed that was why Dreadstone employed her. She had thought through the situation and trusted her, but I still didn’t have much hope of finding Dedra’s body. 

When we arrived at the maze of small buildings, the sun had reached its zenith. 

“Take another hit,” Kenzi said. 

I already hated this part of the job. I couldn’t wait until my mystical abilities matured. 

I took the hit of the gas and stepped out of the BMW. 

Entering the maze, we snaked our way through squat metal buildings. Kenzi followed my lead. Each unit painted blue reminding me of the identical prefab houses in the culdesacs of the middle-class and the ubiquitous brick government housing of the underprivileged.  

Then I saw the signature and told Kenzi as much. I wish I hadn’t. 

The storage locker looked the same as any other, but this one was different. Would the locker contain Dedra’s body? I didn’t want to know. 

Kenzi stepped in front of the locker, raising a crowbar. 

Metal struck metal. Once, twice, a third time. Finally, the padlock gave way. Plucking from its resting place, Kenzi tossed it. The padlock bounced once off concrete and came to rest. 

Squatting, Kenzi lifted the gate and immediately turned her head. 

Foul air escaped the confines. Now I knew the odor of the dead. 

Kenzi turned her head as if slapped. I suspected once we found the body, I’d turn green and throw up. Unlike the male body in the basement, this one had succumbed to heat and cold and was generally worse for wear. 

Although I felt queasy, my stomach didn’t betray me. I was grateful. The last thing I wanted was to lose my cookies in front of Kenzi. 

“If this is her,” Kenzi said, examining the body. “We won’t be needing that shovel.” 

“How will we know?” 

Kenzi grabbed a body bag from the trunk and then returned. 

“The body’s female,” she said. “We bring her back to Dreadstone.”

“And if it is her?” I asked. 

“Then we have a murderer to find.” 

To be continued… 

 

*As an Amazon Associate I earn from qualifying purchases. 

 

The Scribe’s Arcanum: Anatomy of a Writers of the Future Honorable Mention—Blade of the Vagabond Part 2

In part 1, I examined the  inspiration that led to writing Blade of the Vagabond (you can read that here). In Part 2, we’ll continue as I turn BOTV into a novelette and send it out to the  L. Ron Hubbard Writers of the Future contest. 

Originally, Blade of the Vagabond had a subtitle. The first 20,000-word version was called Blade of the Vagabond: Heaven, Earth, and Woman. The subtitle is a play on a Confucian concept of Heaven, Earth, and Man where, in very simplistic terms, man acts as the harmonizing force between the spiritual and material realms or perhaps between the opposites of Yin and Yang. The place in-between where truth resides. That’s close enough for a laymen’s understanding, but I’m sure I’ll get some criticism for it.  If you have a more succinct explanation, feel free to post in the comments. I welcome your thoughts. 

Heaven-Earth-Man

Anyway, I changed Man to Woman in the subtitle as my main character is female. 

I was introduced to the term through my martial arts practice and have been fascinated ever since. The concept became the central focus of the story. 

Once I had finished the first draft, I put the story away, awaiting a viable market. As I mentioned in Part 1, the open submission period  ended before I completed the first draft.  Luckily, soon after, the original publisher reopened for submissions. 

I edited my draft and then gave it to Patty for a proofread. After reading the initial draft, Patty dubbed this story her favorite of any I had written.  After a polish edit, I felt satisfied enough to send it and await a response. 

Feeling this story represented my best work,  I was convinced it had a good chance of selling. I sent it to them with high hopes. What happened next would change the course of how I submitted the story. 

The editorial team from the publishing house contacted me and their response surprised me. Originally, the story had a prologue. In the opening, we see one villain, a henchman to the Big Bad, not the protagonist, as he prepares for infiltration and assassination. It was a long opening filled with action and intrigue.  The idea was to pull the reader into the action before we reached the first chapter and met the protagonist. I felt this high action opening increased the danger and tension, setting up the story for the final confrontation.

The editors, however, had mistaken my prologue (which was clearly labeled) with the first chapter and the villain’s henchman with my main protagonist. They felt too separated from the  “protagonist” as if watching a movie and weren’t fully engaged by the writing. I found this odd since my story’s subtitle was Heaven, Earth, and Woman,  how could they mistake my male antagonist for my female protagonist?  

Here’s what they wrote:

I appreciated how this began in media res, watching someone on a mission , but there was a lot of action with no motivation. Movies often open this way and perhaps it works better in cinema because camera angles and music can create emotional sensations in the audience, but with prose our connection is a little more difficult to forge. I spend too much of this story following the protagonist without sharing the feelings, which hamstrings our ability to anticipate or experience true tension. This is subjective and another editorial team may feel differently, so I wish you the best of luck placing it elsewhere.

Pro Tip: Editors are overworked and if they’re confused by your submission, they’ll reject you. They won’t give you the benefit of the doubt. They don’t have time.

Yet, there’s more to learn. Many wannabe writers base their stories on films and TV shows and use a cinematic technique throughout the whole book. Because of this, the cinematic technique may brand you as an amateur. It’s unfortunate but understandable. 

Also, there’s an important reason I didn’t share the antagonist’s feelings: he doesn’t have any. Using a potion and mind-altering meditative techniques, the antagonist blots out his feelings. 

What I thought was obvious wasn’t. Would every editor feel the same? There was no way to know. Removing the Prologue didn’t hurt the story. With a few tweaks, I annexed it. Cutting the story lowered the word count making it more marketable. 

Pro Tip: Novellas and novelettes are a harder sell for newer and less established writers. 

I also wondered if readers who liked the prologue would enjoy the main story and vice versa. Both sections had a different tone. 

Next, I sent a modified version to a top pro magazine.  The response I received was encouraging. This editor enjoyed the writing. He wrote, “some really good writing here,” personalizing the rejection letter. 

Pro Tip: Getting compliments from professional editors at top magazines is a very good sign. It may mean you’re writing at a professional level or are close. 

Here’s the thing: did I think a top magazine would buy a 16,000-word novella from a virtual unknown? No, but it was worth a try and gave me valuable feedback. You can’t win if you don’t play. 

Encouraged by the pro editor’s response, I sent the story to L. Ron Hubbard’s Writers of the Future Contest. The 16,000-word version didn’t win. 

Then I heard about another contest at a very large and popular SF and Fantasy Independent press. The problem? Their upper word count was 8,000 words. If I wanted to send them Blade of the Vagabond, I’d have to cut the story in half. Could I trim the story to its essence, reducing it to the low end of novelette form, while keeping enough plot for the story to make sense? That was a good question. Some poignant moments and a subplot or two would need to be removed, but I believed it could be done. I set out on a mission. 

I whittled it down to 9,000 words without losing the main plot, but I had to do without some poignant moments and some of what made the first two versions of the story unique. 

Now to shave the manuscript to 8,000 words, I had to lose a connector scene. The story still worked well enough, but I wasn’t happy with the transition between one chapter.  If I wanted to submit to the contest, I’d have to live with it. 

Once sent, I returned to my novel (working title: The Tower) already in progress. 

When the contest ended, and they announced winners,  it was time to send Blade of the Vagabond somewhere else. 

WOTF-35-Front-Cover

L. Ron Hubbard Presents Writers of the Future Vol. 35*

I received an email notification from the director of Writers of the Future that there was still time to submit a story for the 3rd quarter. Could I send a different version of the same story to the contest? I’d have to find out. If allowed, I figured it was worth a shot. 

Next time I’ll tell you what happened, how I edited my manuscript into shape, and what I learned in the process. I’ll see you then.

*As an Amazon Associate I earn from qualifying purchases. 

The Scribe’s Arcanum: Anatomy of a Writers of the Future Honorable Mention—Blade of the Vagabond Part 1

 

Today I’d like to discuss how my story, Blade of the Vagabond, was created and how it was ultimately awarded an Honorable Mention in the L. Ron Hubbard Writers of the Future Contest. 

The idea to write Blade of the Vagabond came when I noticed an open call from a major science fiction and fantasy publisher. They were looking for fantasy novellas inspired by non-European cultures. An idea hit me so powerfully that I stopped work on my novel in progress to focus on this new project. 

At the time I had no hope of making the deadline, but the idea wouldn’t leave me alone. I put everything aside and pushed on. 

The first inkling of a concept for this story began to sprout while taking an Arthurian Literature class at UMASS Lowell. The professor, Dr. Archer, assigned a paper where we were to write about any topic on the Middle Ages we wanted to explore. I knew exactly what I wanted to research and became excited by the prospect. 

Having been a martial artist all my life, and having years of training in a system centered on Japanese Feudal combat, I decided to research Medieval fighting systems. My focus was on sword schools as there was ample woodcut evidence through surviving woodcuts that depicted the techniques. 

I used books like Sigmund Ringeck’s Knightly Arts of Combat: Sword and Buckler Fighting, Wrestling, and Fighting in Armor by David Lidholm. 

Knight

Knightly Arts of Combat: Sword-and-Buckler Fighting, Wrestling, and Fighting in Armor

As I crafted the paper, I thought about how interesting it would be to include realistic combat dynamics into fantasy fiction. The concept stayed in the back of my mind but remained just a potential idea jotted down in my notebook. 

When I learned about the open call for non-European inspired fantasy fiction, I thought it would be fun to create a world based on ancient Japan. Although, I also drew from ancient Korea and China. 

Conan

The Comming of Conan The Cimmerian*

Wanting to create a swashbuckling sword and sorcery epic fantasy drama, I drew upon many inspirations including Robert E. Howard’s Conan the Barbarian and Kull the Conquer series of stories. Inspiration also came from the Seven Samurai (1954) and the Jidaigeki (period dramas) and chanbara (sword fighting Amurai cinema). 

Samurai

Seven Samurai*

However, I didn’t want to include the samurai or the ninja as this had been done to death. Instead, I used an obscure book as my inspiration for a fighting wizard character: Leung Ting’s Skills of the Vagabonds. The book had capitalized on the 1980s ninja boom comparing the  Chinese Vagabond assassins to Japan’s ninja assassins. Marketing at its finest! The glowing eyes on the cover of the book had stayed with me over the years and I thought it would be great fodder for fantasy fiction. 

Skills

Skills of the Vagabonds 

Delving deeply into Japanese mythology, I began to craft the story into a 20,000-word novella, the low end of the word count required for submission. 

For the title, I decided on a mixture of Skills of the Vagabond and a variant of the “Swords” titles prevalent in the fantasy genre like Swords against Wizardry (Fafhrd and the Grey Mouser sequence) by Fritz Leiber and Sword of Destiny (Witcher Saga) by Andrzej Sapkowski.  Blade of the Vagabond sounded like a fantasy story to my ear. 

Witcher

Sword of Destiny (The Witcher)*

Despite the open call ending before I finished, I soldiered on completing the first draft and then shelving the project until, six months later, they opened for submissions once again. 

Next time, I’ll delve into the submission process that led to receiving an  Honorable Mention. I’ll also reveal the original title and how and why it changed. I hope you’ll follow my blog to find out what happened.

*As an Amazon Associate I earn from qualifying purchases. 

 

Black Magic Bullets: Chapter 16

Moving right along… Here’s the first draft of Chapter 16. NaNoWriMo might be over, but the show (novel) must go on.

 

BLACK MAGIC BULLETS

An Urban Fantasy

by

David North-Martino

Working as an Inhuman Resources Recruiter is no walk through the cemetery, especially when you’ve been cursed and your head is filled with stollen secrets from one of the most powerful occult groups in Boston. To survive, you might just need a few…

BLACK MAGIC BULLETS

Chapter Sixteen

I bent my knees. Absorbed the impact, and still felt electric pain in my soles as I landed. 

An intense light blinded me. Defensively, my hands rose to my face. Kenzi turned, pointing the flashlight away from my direction.  

I blinked away orange stars, yellow moons, and green clovers. My retinas were none too happy with being attacked by a flashlight as bright as the sun. 

“Let’s move,” Kenzi said not waiting for me to recover. The thin beam led the way, parting the darkness in front of us, dust particles creating the appearance of walking through a snowstorm. 

From what I could see, and I couldn’t see much, the area looked like a concrete storage room that had long ago fallen into disuse. 

“I smell something,” I said quietly. That was an understatement. Somewhere in the blackness, just out of view, a putrid pile of refuse, or perhaps a dead body, (I didn’t know what a carcass smelled like at the time) had been left to ripen. 

Had we found Dedra’s body? Dread overcame me and I hoped it was just a pile of trash. 

Kenzi hushed me. She already had her weapon drawn and was scanning the shadows with lumens to the power of 1,000. 

Then the shadows moved toward us—surrounding us—closing in. 

“What the hell?” I asked. My brain couldn’t make sense of what my eyes were seeing.

“Ogres!” was all Kenzi said before pandemonium broke out. 

Here’s the problem with non-human anthropomorphic races: most are not magical in origin and as such, are not as easily manipulated or inured through the Collective. Not at least immediately. More on this later. 

Ogres stand just about as tall as humans, are ugly as sin, and sport a musculature that would make Arnold Schwarzenegger jealous. As aforementioned, they also stink. Masters of stealth, sometimes their tell-tale odor is the only sign that you have come across an ogre raiding party. 

Kenzi didn’t tell me to cover my ears before she squeezed the trigger in rapid succession. The report of the firearm deafening as decibels echoed off concrete. The muzzle flash all but blinded me and created a strobing effect strong enough to give all but the strongest a seizure.

Jaring impact and my head snapped back. I stubbled in the same direction. Yet, I regained my footing. Tunnel vision made me lose sight of Kenzi. My lips swelled and my jaw ached. Luckily my head and body hadn’t betrayed me. Moving with the blow had allowed me to keep my teeth.

Momentum facilitated an ill attempt at retaliation. Letting my body turn, I sprung into the air and completed a jumping turning sidekick. Contact made, I pushed the ogre back but a kick that would have broken an ordinary mortal’s ribs didn’t even faze this overgrown oaf. 

Meaty hands grabbed me as he reached forward, and then I was sailing through the air wishing I had learned better how to receive the ground in my training. 

Landing on my back, I sucked wind. Pain arrived along with the feeling of suffocation. Panic followed. I had to get up. At least I got a reprieve from smelling the walking trash canister. 

My eyes continued to function even though my lungs had fled the scene. I watched as Kenzi fired two blasts and then turned and moved, effectively throwing an ogre who had penetrated her defenses. I envied the smoothness of her movements. 

The ogre who had come for me wasn’t done yet. 

I still couldn’t breathe and could do nothing but writhe in agony. 

Bending over me, the Ogre reached out one final time. This was it. My time had come. I resigned myself to peering deep into the darkness of whatever abyss awaited. 

Another report and the ogre hit the deck, mortally wounded, just as I took my first greedy breath. 

I coughed and then breathed again which brought on more coughing. Once started, I couldn’t stop and it took Kenzi dragging my ass off the floor to get moving again. 

I can’t express to you how much this changed my training. Failure will do that to you. Unfortunately, I went about everything the wrong way and in the end, my training would make me weaker, not stronger. You’ll see how that happened soon enough. 

“Let’s get a move on,” Kenzi said. “There will be more coming.”

Finally, the bronchial spasms subsided and normal respiration returned.

“I need to know where the body is,” Kenzi said and then for emphasis and to get my ass in gear screamed: “Now! 

A staircase led upstairs and I found myself scrambling up it, using my connection to the Collective to lead the way to the deceased. 

In a closet on the 2nd floor, we found the body. 

Kenzi examined it while I looked away, pretending to be guarding our six. I hoped I developed the stomach for this type of work. But then again… Maybe I didn’t hope for any such thing. 

“The body is male,” Kenzi said. 

“Are you sure?” I asked. 

”Do you want to see for yourself?” Kenzi asked. I didn’t. 

“No, I believe you,” I said. Forcing myself to give a cursory look, I recognized the remnants of the psychic cord that had given me a false positive and told her as much. “What do we do with the body?”

“We don’t do anything,” Kenzi said. Dreadstone doesn’t have the facilities to store the body and we certainly don’t want his DNA on us. You want to have an overzealous DA charge you with murder? I didn’t think so.  

“And we can’t give the information to the police. They wouldn’t last long if they came into contact with the ogres. I can assure you, they’ll run into them if we send for them to search the premises. 

“What do we do then?”

“Get in the car and check the next location. Hopefully, find something before we run out of time. 

To be continued… 

NaNoWriMo – Chapter 14 – Black Magic Bullets

I think it’s been about five days since my last post. The writing has been progressing, albeit slowly. 

In the last chapter, I imposed a device known as a ticking clock. I did this to add tension to the narrative and drive the plot. I also had Kenzi and Harris chased by an unknown group. They are even unknown to me, as in, they haven’t revealed themselves through the narration. 

I added the bit about how Dedra needing to self attach to the location as foreshadowing for later.  

Dedra came about because my research shows I need a mystery element in an Urban Fantasy. I should be able to craft one, my wife has been binging episodes of Criminal Minds on ION and WE. Haha! They’re always on in the background. Even while I write. 

Originally, I had envisioned Kenzi driving a black Mustang. I took inspiration from my wife who owned a fox-body Mustang when we met. As I began to get to know Kenzi better, I realized she’d be more at home driving a BMW.

 Also, I liked that some Bimmers have All-Wheel-Drive. Oh, and my research shows that a BMW car or SUV is not a Beamer (the Beamer nickname goes to the BMW motorbike) it is actually referred to as a Bimmer. I’m not sure how many people know that. I certainly didn’t, and my wife thought the real nickname was a typo. Maybe I’ll change it back to Beamer just for clarity. It’s not correct, but it’s the name most people use. 

I’m also trying to stay away from politics. I don’t like politics in my fiction, but sometimes, to ground the story in reality, I have no choice. 

Massachusetts gun laws are very restrictive and convoluted for law-abiding citizens, and I’m a stickler for characters following those laws, at least until they’re able to break them safely. 

Once Harris learns how to manipulate the Collective, they will have more leeway in what weapons they carry. My plan had been to have Kenzi carry a Glock 19, but civilians can’t buy those in Massachusetts. They’re not on the approved roster, and so I decided she’d carry an M&P. 

In this way, I hope the story will be grounded enough in reality that the reader can suspend disbelief as I ratchet up the fantasy elements. 

I should probably mention that I’m also trying to ground those, in reality, using real magical practices, exaggerated and enhanced for drama, with which I’m thoroughly familiar from research and experience gained in what feels like another lifetime. That’s a story for another day. 

While I’ve been waiting for my subconscious mind to catch up with the story, I haven’t been idle. I’ve been working on the third draft of a horror thriller called The Tower of Abandon. As of this writing, I only have one more scene to edit and then, after a short break, I’ll be polishing the manuscript with the help of ProWritingAid before handing it off to my wife for a proofread. 

I also prepared and sent out a short story to an anthology open call. Unfortunately, I somehow missed the word count guidelines. After I had sent it out, I realized my submission was 1,000 words under the required word count. At least I didn’t forget to attach the Word file! That’s probably the most common mistake committed by writers sending out submission. I hate when mistakes like that happen, but we are only human. I’ll just wait and hope for the best. Maybe I’ll get lucky. You never know.

 

BLACK MAGIC BULLETS

An Urban Fantasy

by

David North-Martino

Working as an Inhuman Resources Recruiter is no walk through the cemetery, especially when you’ve been cursed and your head is filled with stollen secrets from one of the most powerful occult groups in Boston. To survive, you might just need a few…

BLACK MAGIC BULLETS

Chapter 14

“Hold on, again!” Kenzi said, accelerating. 

The torque knocked me back into my seat. Then we were turning right on red with no regard for oncoming traffic. 

Tires squealed. 

Horns blared. 

“They’re still after us?” I asked wishing I knew who “they” were. 

“I need you to enter the Collective,” Kenzi said her voice tight, her fingers on the steering wheel even tighter. 

I hesitated.  

“Now would be a good time!”

Against my better judgment, I unbuckled my seatbelt and scrambled between the seats stretching to reach my bag. 

Another breakneck turn. Releasing my hold on the bag, I grabbed the back of both seats to keep from slamming into Kenzi. 

She turned again, in the opposite direction, and I gritted my teeth and held on for what some people like to call dear-life. Once the vehicle straightened, I snatched the duffle and dragged it through the opening between the seats. 

Not bothering to buckle up, I unzipped the duffle bag and struggled to get out my equipment. Once I had retrieved the concentrator, I plugged in a bottle of ethylene gas. 

I tossed the bag back between the seats and let it flop to the floor.  Now I bucked in and then turned the valve. Too little ethylene and I wouldn’t enter the Collective, too much and I’d end up dead. I only hoped my memory wouldn’t fail me. The events in the ritual room felt like they’d happened a lifetime ago. 

Seating the mask to my face, I pressed firmly, creating a tight seal, and then breathed in deeply. 

The car and the world flipped and then righted itself. Had I taken a little too much? It didn’t matter. I’d have to deal with the aftereffects and hope I could do whatever Kenzi wanted while still under the influence. 

In front of me, through the windshield and the driver’s side window, I saw all that had been hidden from humanity. Creatures and phantom buildings projected where they had been torn down but their physicality still resonated enough to make them psychically viable, at least within the Collective. 

What am I looking for, I wondered? 

Overwhelmed by the influx of new sensory input. A protective circle would have been a nice buffer. Now I really understood its importance. 

“What am I looking for?” I asked Keni as she continued her escape and evasion routine. 

“Look for a masked entrance. Something that only you can see.”

That was easier said than done. I didn’t have the experience to interpret what I was seeing. Masking a location was difficult and I had to believe that Dreadstone’s security measures were well above the feeble abilities of the sorcerers who worked at The Chasm. In that, the people who were chasing us would have a harder time finding said entrance than I had when I used to frequent the occult shop. It wouldn’t be a matter of just relaxing and thinking good thoughts. This was high-level wizardry. 

Then I saw it, an iridescent archway, unmistakable from the normal environment. Situated between two buildings, I could just make out the narrow opening. The question was: could Kenzi, even with my help, navigate through the gap?  

“There!’ I Said pointing to show her the location. 

“You’re my eyes,” Kenzi said through gritted teeth, turning the vehicle and then gunning it in the direction I had pointed. 

“A little to the left.”

“A little to the right.” 

I did my best to direct her and I was impressed at how easily Kenzi took my directions on faith. 

We entered the tunnel too close to the right, sparks flying on the passenger side as Kenzi sheared off paint. I hoped we were really being followed and this wasn’t just some sort of paranoia on Kenzi’s part. 

We slowed to a stop. 

Kenzi shut off the vehicle allowing the silence along with the darkness within the manmade cavern to blanked us. My own breathing sounded too loud in my head. Kenzi’s breathing was no more than a whisper. In the background somewhere in the dark water dripped, most likely the result of condensation. 

“Why don’t they just have a GPS point marked off on the system?” I asked, in frustration.  I kept myself from cursing, but I wanted to say every swear in the book. Professionalism won out. 

Yet you had to admit It seemed crazy that to find this place you had to either be a psychic or be jacked up on ethylene gas. 

“It’s harder to hack a human brain than it is a computer system,” Kenzi said.  “I only know the general whereabouts of the masked entrances. 

“I’ll have Cyber hack the traffic cameras in the area and find who was following us. That will take some time. In the meantime, we have some locations to assess.”

Kenzi set a text. 

Kenzi showed me her phone, its bluish-white glow the only light in the cavern. Cyber had sent over a complete list of abandoned buildings in the waterfront area. 

“Let’s hope we’ve lost our tail,” Kenzi said. “Time to take another hit of the gas. I need your eyes on each building. Look for anomalies.” 

“We haven’t even been to the first one yet!” I said.

“That’s right,” Kenzi said. “We better get cracking.” 

The BMW purred to life, lighting up what now really looked like a cave. Kenzi put her foot down on the accelerator performed a reverse 180 (J-Turn) and then rocketed us out of the hiding place and back into the busy street, my heart beating out of me. 

 To be continued…

NaNoWrimo – Chapter 13 – Black Magic Bullets

I’ve had some great feedback on this story, and it’s made me think about how I categorize my writing. Looking at some of my unpublished work, and even some of my published, I didn’t realize how close I had wandered into the urban, dark, and contemporary Fantasy subgenres. Even my first novel, WOLVES OF VENGEANCE, is closer to dark and urban fantasy than it is to horror. Also, a little while back, I let you know I received an Honorable Mention for my novelette, Blade of the Vagabond, which is a traditional high fantasy story. It’s all very interesting, and I’ll be discussing what I’ve learned shortly.

On this NaNo project, I’ve reach about 10,000 words. I’m still very behind, but I’d rather have a fairly clean first draft than a pile of words I have to shovel out to get to the story. Understand, what I’m printing here is not everything I’ve written. Before I post here, I do a quick edit and remove as much as I can to tighten the final published product. Also, I count notes that I make to myself in with the word count, and I do my best not to include that information here on my blog.

The next time I post, I’ll try to break down some of what I was trying to do and why I added some potential complications to the plot. Again, this is a very rough first draft written organically (by the seat of my pants) and is not what it will look like in its final published form. Thanks for reading. Let me know what you think. Really! I have a think skin.

 

BLACK MAGIC BULLETS

An Urban Fantasy

by

David North-Martino

Working as an Inhuman Resources Recruiter is no walk through the cemetery, especially when you’ve been cursed and your head is filled with stollen secrets from one of the most powerful occult groups in Boston. To survive, you might just need a few…

BLACK MAGIC BULLET

Chapter 13

We stopped outside a women’s locker. Kenzi entered and a few minutes later returned with a duffle-bag stuffed with equipment she’d curated for me, along with a go-bag of her own. 

Mine included a concentrator with three canisters of ethylene gas. I wouldn’t want to run out in an emergency, I guess. The time wouldn’t arrive soon enough when I could traverse the Collective naturally and on command. 

“This will get you started,” she said before leading me back to the armory. 

There, she removed a Smith & Wesson M&P .40 caliber from a gun safe, seated a magazine, racked the slide to put a round in the chamber, and then engaged the safety before holstering the weapon in an inside the waistband (IWB) holster. Two spare magazines slid into a carrier on the opposite side of her belt. 

“Okay, let’s get out of here.” 

“I’m not carrying?” I asked. Not that I cared. I was very happy to leave sans-firearm. I had never conceal-carried a pistol in my life. 

“No. You’ll buy one and Dreadstone will reimburse you,” Kenzi said. “Until you’re able to manipulate within the Collective, we have to do everything above board. If a cop stops us, in Mass, you’ll need to have a firearm that’s on the Attorney General’s list of approved firearms and have the transaction recorded by the Firearms Records Bureau.”

“Things can get real messy legally if you don’t.” 

Shlepping our bags down the hall, we headed to our next destination.

“We can take your car or we can take mine,” Kenzi said. “Your choice.”

“I came here by ’T’,” I said feeling wholly unprepared. The “T” is the colloquial name in Boston for the subway system and is short for MBTA, Massachusetts Bay Transportation Authority and stands in contrast to the Commuter Rail, run by the same authority, which provides train service to surrounding communities and goes as far as Rhode Island. 

“Mine it is then,” Kenzi said matter-of-factly. I didn’t notice even a hint of annoyance or sarcasm in her voice. “Do you have one?”

“A car?” I asked, without thinking. 

“No, a time machine,” Kenzi said. “Of course, a car.” 

“Not yet,” I said and steeled myself against an onslaught that never came.

“Dreadstone will help you buy one,” she said. “You just accepted a job where you’ll be on the road a lot. You’ll need something that fits your station and your style. You’ll be living out of the thing. I also suggest all-wheel drive. This is New England, after all.”

We entered the ground floor garage and I followed Kenzi to her vehicle. 

The parking area was filled with various vehicles I can only assume were all owned by Dreadstone employees, but I did wonder if some belonged directly to Dreadstone and what enhancements might have been made for various purposes. I would find out later

We both slid into the leather seats of her shiny black BMW. I envisioned her as more of a Mustang girl, but I had to admit the Bimmer fit her style—luxurious on the inside, sporty on the outside. I wondered how much it had set her back, and how much of the tab Dreadtone had picked up. The thought made me anxious to car shop. 

As we pulled out into crazy Boston traffic, Kenzi laid down a situation report on the way to our first stop. 

“Here’s what we’re working with just so you know. There’s a time-limit on spirit bargains. We have about three days to seal the deal. If it doesn’t happen in by then she’ll drift. 

“I’m not sure I understand. How did Dreadstone acquire her spirit in the first place?” 

“Okay, I can’t go into all the whats and wherefores it’s too complicated. Here’s the layman’s explanation: 

“When Dedra died she was able to attach herself to an object. In this case a doll. Dreadstone acquired the doll, and through a series of arcane rituals, I don’t fully understand, transferred her spirt to a containment vessel. Once they released her spirit in the ritual room, to make the pact, the clock started ticking.” 

“They can’t just put the genie back in the bottle, so to speak?” I asked.

“Easier said than done. She can attach willingly to an object. To force her would be very difficult. That’s why we have recruiters. 

“Your job is to make the pact and help hold up our end of the bargain. Once we get her as much as we can of what she wants, we still have to hold something over her, and it has to be enough that it keeps her spirit restless. If not, spirits are prone to drift. If she drifts, we breach a contract with our client. 

“How do you keep her from drifting from the location she’s been assigned?” I asked. 

“Simple. She self-attaches to the house for the required amount of time,” Kenzi said. 

“She can set a time limit?” I asked. 

“No. That’s where things get tricky,” Kenzi said. “Once the contract ends Dreadstone sends a wizard or psychic medium to release her. They’re supposed to fully release her.” 

“Supposed to? Do you mean they don’t always hold up their end of the bargain?”

“These contracts can play out over fifty, sometimes even one-hundred years. By the time the contract is up—,” Kenzi trailed off, thought for a moment before continuing. Well, let’s say sometimes things fall through the cracks. 

“I’m not saying it’s on purpose or anything, but it does happen. We have some spirits, and… other things, still in our employ well past their expiration date.”

I didn’t like the sound of that. I could be all for both parties entering into a contract, even if I thought Dreadstone might be exploiting their workforce——they wouldn’t be the first company to do so——but not honoring the contract seemed beyond the pale. 

I didn’t like it, but I wasn’t sure I had the power to do anything about it. When the time was right, I’d have to weigh my options carefully. 

At a light, Kenzi asked me to enter the first address into the onboard GPS—safety first! 

Then we were weaving in and out of congestion, traversing tunnels, and avoiding one-way streets that always seemed to pop up out of nowhere overnight. 

“Are you buckled up?” she asked to my puzzlement. Using a seatbelt had become as automatic as breathing, I didn’t even have to think about it anymore. 

I acknowledged in the affirmative and wasn’t shy about asking why she was asking.

“We might have a tail,” Kenzi said shitting the vehicle into sport mode. “Hold on.” 

What the hell was going on? Who was after us——or was Kenzi just paranoid? 

Kenzi bolted left then (in Boston parlance) banged a right. A few quick turns with one eye on the road and the other on the rearview mirror and Kenzi seemed to relax a bit. 

“Who the hell was after us?” I asked. 

“I can tell you it wasn’t a government agency. They’re total professionals. You’ll never see them coming. If we were being followed, the people in the vehicle behind us were amateurs at tradecraft. Dreadstone has plenty of enemies. Congratulations, now they’re your enemies, too.”   

To be continued… 

 

NaNoWriMo – Chapter 12 – Black Magic Bullets

Between family obligations and the slower nature of this next chapter, It’s been a couple days since I’ve checked in. Glacial is probably a good word for how the writing has been proceeding.  Most of this is because world-building and crafting a mystery out of whole cloth are labor-intensive.

I’ve now reached a point where each layer is crucial to building a cogent and engaging narrative. There’s no doubt that I’ll have to go back and flesh out some early scenes as I move forward. Still, I’d like to keep the narrative readable and understandable, even in rough 1st draft form. Don’t forget, I’m writing this book organically (by the seat of my pants) and, as such, I’m not using an outline or figuring out anything beforehand. I’m trusting my subconscious mind to fill in details between writing sessions.  For now, I’ll consider this chapter finished and present it to you.

As it stands, I think this is shaping up to be a Dresden Files meets Monster Hunter International type of book.

 

BLACK MAGIC BULLETS

An Urban Fantasy

by

David North-Martino

Working as an Inhuman Resources Recruiter is no walk through the cemetery, especially when you’ve been cursed and your head is filled with stollen secrets from one of the most powerful occult groups in Boston. To survive, you might just need a few…

BLACK MAGIC BULLETS

 

Chapter 12

Kenzi touched an access card to an electric eye. The locking mechanism clicked open, and then we were through a pair of blast doors and inside what looked to be a two-floor loft that housed a control center of sorts. Workers buzzed to and fro, some wearing shoulder holster rigs over button-down shirts or blouses, looking more like Government Agents than employees of Dreadstone.  

Lit by natural lighting, coming from the frosted glass windows above the fray, as much as by electric lamps suspended from the vaulted ceiling, and with the addition of people moving about, created a shifting chiaroscuro, the light highlighting suspended dust particles, making the place appear fog-enshrouded.  

“Welcome to The Body,” Kenzi said. 

“What is this place?” I asked, genuinely curious. 

“It’s an acronym. B-O-D-I-E. BODIE. The Bureau of Defense Investigations and Espionage,” Kenzi said. We’re like a private FBI for the Dreadstone Company. 

“Like the name implies, we take care of the physical needs of the corporation—including but not limited to providing protection for our psychics, dedicated wizards, and recruiters like yourself.”

“I never would have guessed Dreadstone had its own private army,” I said.

“Oh, no. We’re not the army,” Kenzi said as she brought me over to a bank of beige cubicles. “You haven’t seen anything yet.”

“This is Cybil,” Kenzi said.

“I go by Cyber,” the woman with the buzzcut and the black fingernail polish said.  

“She’s what we call a BRAIN transplant,” Kenzi said undeterred, explaining that BRAIN was another acronym for Dreadstone’s Computer science and hacking division: Biologic Computing, Random Access, AI, Information Systems, and Nanotech. “She works here in the BODIE helping us expel viruses and track down baddies using the information superhighway both in Surface Web and all levels of the Deep Net. 

“If not, the BRAIN wouldn’t know what the BODIE is doing,” Cyber said raising an eyebrow. “That’s just a little Dreadstone humor for ya.” 

“We have some intel and clues from SPIRT,” and then for me added, Sorcery, Psychics, Incantations & Remote Viewing.”

“Who are we talking about?” Cyber asked, raising an eyebrow. 

“Chavvi,” Kenzi said deadpan. I had no idea by her intonation if that was good, bad, or indifferent.” 

“Oh, she’s really good,” Cyber said as if she was telepathic herself. Her response also seemed to imply that Dreadstone had employed one or more psychics of dubious reputation. “Lay it on me.” 

“We’re looking for an abandoned building on the waterfront. A killer who is skilled with a garrot or at least has been accused of strangulation in the past, and a wide tie a man would wear that might be a homophone or an exact match for a lemure’s last name.”

“The property records search is the easiest. Do you know how long ago the lemure went missing?”

“I can’t give you an exact date,” Kenzi said. “Her clothing while reduced to rags looked modern enough. I gave a sample to Chavvi to get her impressions.”

“If Chavvi’s done, I’d suggest sending the sample to the lab,” Cyber said. “Even though most of the physical effects are just ectoplasmic facsimiles, for a period of time Dreadstone can determine what type of fiber was in the original garment.” 

“Can do,” Kenzi said.

 “Once we have an approximate time period, I can perform a record search for the perps MO through a backdoor in the local and federal databases. Then I’ll run a missing persons search for the same time period.”

“How much time will that take,”  Kenzi asked. 

“Too much,” Cyber said. Kenzi nodded. “Let’s work with what we have. You mentioned a wide men’s tie. Let’s see if I can get some terms we can search.” 

Cyber made her mechanical keyboard sing, cherry blue switches rat-tat-tatting an echoey staccato rhythm throughout the loft. 

“The first possibility that comes up is the cravat tie,” Cyber said. “What’s the first name?”

“Dedra,” I said before Kenzi had the chance to respond. If it bothered her, she didn’t show it. I was beginning to feel ineffectual just standing there.  

“Nothing comes up under that name combination,” Cyber said, continuing to click and clack on the keyboard. “Let’s try Ascot.” 

We waited as Cyber completed her search.

“Bingo!” Cyber said, jabbing a finger down on the enter key for emphasis and then swiveling on her chair to face us. “You’re in luck, Ascot is an unusual name and I only a few hits in the Boston Area.” 

“Any Dedra Ascots reported missing?”

“We have one,” Cyber said, her fingers still dancing over the keys. “Reported missing back in 2004. Cold case.” 

“Send me all the information on the case, along with a list of the abandoned buildings,” Kenzi said. “ Keep searching. I’ll still have Chavvi send the sample over to the lab. No time like the present to being our search.” 

To be continued… 

 

NaNoWriMo – Chap 10 & 11 – Black Magic Bullets

Day four of NaNoWriMo and got in about 1,500 words. I came up a little short but had to really think about the central mystery and its relationship to the plot. One character’s name became very important, and I had to craft it carefully.

The title also found it’s way into the manuscript. I was wondering if that would happen. You’ll see what I’m talking about if you give it a read.

This is a very rough 1st draft written by the seat of my pants,  but I’m trying to give you as tight a manuscript as possible. Feel free to give me feedback. I have a very thick skin.

In other news: I had an editor contact me today inquiring about I story I had submitted. She asked if the story had ever been sold before. I’m thinking she wanted to make sure it wasn’t a reprint. I let her know the story was an original with all rights available. I haven’t heard back yet, but I am hopeful. I’ll let you know what happens.

 

BLACK MAGIC BULLETS

An Urban Fantasy

by

David North-Martino

Working as an Inhuman Resources Recruiter is no walk through the cemetery, especially when you’ve been cursed and your head is filled with stollen secrets from one of the most powerful occult groups in Boston. To survive, you might just need a few…

BLACK MAGIC BULLETS.

Chapter 10

I followed Kenzi to a new destination. When we entered the vestibule, I realized she had been serious. What else did this place have in store? 

Inside the small room, she grabbed a pair of eye and ear protection, handing them to me before grabbing her own. 

I put the glasses on first and then the muffs. The ear cups created a suction, clamping over my ears, isolating my sense of hearing from the outside environment. My breathing sounded loud in my head. I had always found the experience disconcerting, and today was no exception. 

In an attempt to be a gentleman, I opened the heavy door for Kenzi. She didn’t protest. Following close behind, we entered the range proper. 

Like most indoor ranges, the air was damp, much like a basement. It told me the place had good ventilation, important for filtering out all the atomized lead, gunpowder, and other combustible contaminants released with each shot fired. 

We were met with more battleship gray and surrounded by impenetrable concrete. The shooting muffs not only isolated my breathing, but also every footfall thudded in my head. 

Kenzi had transferred the pistol to a hard carrier and now placed it on a bench at the middle booth. She then plunked down a 50 round box of .45 ASP hollow-points. 

Manstoppers. 

After the meeting with the lemur, humans scared him less than they ever had. He wondered if Dreadstone was in the possession of any rounds that could stop something like that. 

It had been a long time since I’d been to a range. Shooting was an expensive hobby and I didn’t have the money to invest. If this job worked out, my luck just might be changing. 

She stepped aside to let me do my thing. 

Great. 

This felt like a test of sorts. 

Forcing myself to take it slow and steady, I removed the Colt from the case and locked it into battery before placing it on the bench. 

Next, I loaded the two seven-round magazines and arranged them beside the firearm. So far, so good. 

Kenzi brought over a silhouette target, tacket it up, and ran the motorized conveyer until it reached 21 feet away. 

She stepped away as if to say, it was all me. 

Retrieving the Colt, it felt solid and well balanced in my hand. I seated the first magazine and then racked the slide to chamber a round. 

Focused on the target, I lifted the weapon and settled into an isosceles stance. Both arms outstretched creating a triangle parallel to my chest. My upper body ached from the fight with the lemur. I focused on the pain then allowed it to fade away. Dropping my weight and bending my knees, I leaned forward ever so slightly. 

Flicked the safety off with my thumb. 

Breath in.

Line up front sights to rear. 

Breath out.

Squeeze trigger, don’t pull. 

Blam!

The colt bucked. 

Again.

The acrid scent of gunpowder rose in the air but quickly dissipated into the duct system. 

I continued the process until all rounds were spent, and the gun automatically returned to battery. 

Turning my palm up, I released the magazine and returned both to the bench. 

Kenzi had been watching from behind the whole time. Now she came back, flicking the switch in the opposite direction to retrieve the target.

“You’re listing to the left,” she said, examining the holes in the target. 

No shit. She didn’t need to overstate the obvious. 

Following her lead I removed my ear protection, let the muffs rest on my neck. The cool air felt good on my ears. 

“Nothing that can’t be fixed. You just need to adjust your grip,” she said. “That’s good enough for me. I wanted to make sure you could properly handle a firearm before we go into the field.”

“I’m carrying a gun?” I asked, incredulous. 

“You have a CCW?” Kenzi asked. Those were the initials for a Concealed Carry Weapons permit, or in Mass known as a Class A License to Carry Firearms Unrestricted. Seemed the powers that be in the Commonwealth thought the CCW term too appealing to the general populace.

I nodded. 

“Then it’s your choice,” she said. “I’ll be armed. I suggest you do the same until can do your wizardry in the Collective.”

Kenzi replaced the target with a fresh one and sent it back the same distance.

“Watch and learn,” she said, putting on her eyes and ears. I rushed to keep up. 

Drawing her carry gun she mimicked my earlier stance and lobbed maybe 15 rounds of lead down the lane. I lost count. 

Once the gun returned to battery, Kenzi smoothly turned her hand without taking her eyes off the target. She depressed the magazine release, letting it fall to the ground. With her eyes still on the target she retrieved and seated a new magazine and then racked the slide. Another fifteen rounds flew. She reloaded and then holstered her weapon.  

The target rocketed back with a flick of a switch. 

A nice tight grouping. 

“Nice,” I said and I meant it. I was very impressed. 

“That’s how you practice level one combat shooting,” Kanzi said. “I have one other thing to show you.” 

She took out a .45 round that if not for the coating of black fingernail polish would have looked ordinary. 

“I’m not getting it,” I said. 

“This is a black magic bullet,” Kenzi said. “They can be used on the possessed, shifters, zombies, anything in meatspace infused with power from the Collective. 

“Why don’t you just carry silver bullets?” 

“Now you’re just being silly.” 

“What makes that different for an ordinary round?” I asked, half expecting her to say black magic.

“We have a wizard augment them in the Collective,” Kenzi said “It’s a specialty. Not something just anyone can do.” 

“What’s next?” I asked. Did I really want to know?

“You’re full of questions today, aren’t ya,” Kenzi said with a wink. “Chavvi must have something for us by now.”

Chapter 11

“Tell me you have some good news,” Kenzi said as walked through the entry, beads clacking against each other behind us. 

“I might have something,” Chavvi said, rising from her cushion.

The impression I get is of a violent death. Deep, dark emotions. Terrible, really.” 

Poor Dedra. Not only had the end of her life been horrible, but even in death, she was affected by the circumstances of her demise. 

“Anyway to find her body?” I asked. It was unclear as to whether I’d be able to help her. Kenzi had indicated something would be held back until Dedra fulfilled her half of the bargain.  

“The impression I get is that her body was disposed of in an abandoned building. I get a distinct impression it’s near the waterfront. I feel a constriction on the throat like she had been strangled. But I also see a man’s tie, wider than normal. I hope that was helpful. 

“Yes, thank you,” Kenzi said. “It’s at least something to go on. Let me know if anything else comes to mind.” 

Then Kenzi looked at me. 

“It time I introduced you to the Body.” 

To be continued…