With my SF story The Mesomorphic Woman in mothballs and some short fiction sales under my belt, twelve years had elapsed since I’d completed the first draft.
I noticed an open call for submissions for a new anthology with Pink Narcissus Press. With some strong Google-fu, I’ve been able to locate the original submission call and am posting below.
Daughters of Icarus
A brave new world of feminist science fiction
Pink Narcissus Press seeks short feminist science fiction writing for its “Daughters of Icarus” anthology. Submissions must explore gender roles in society; hard science fiction is not appropriate to this anthology. So long as your submission takes up this challenge, the only other requirement of authors is that the work has an original and creative voice. Authors would do well to acquaint themselves with the likes of Ursula K. LeGuin, Margaret Atwood, Octavia Butler, and Charlotte Perkins Gilman to obtain a sound footing in the genre and a better understanding of previous work in the genre. Stories housed in new, unique worlds are preferred, as are those describing fantastical societies. Stories of any length will be considered. Deadline: May 31, 2012
The sentence beginning “(S)tories housed in new, unique worlds are preferred” caught my attention. With its setting of the Audallis biosphere orbiting Venus, The Mesomorphic Woman seemed a perfect fit. It was originally written with an eye toward feminist SF, explored gender roles, all the hard SF had already been removed from a previous draft, and I was already familiar with the authors listed.
I looked through my stories folder and found the most recent version of the manuscript. Pulling it up I read through. I could see mistakes in structure and pacing I hadn’t noticed before. Over the intervening years, I had increased my understanding of creating salable fiction. Creating a new file, I went over the story again. With an edited manuscript ready I gave it to my wife for a final edit.
With the story polished, I figured I had nothing to lose by sending it out to Pink Narcissus Press. My trepidation, however, stemmed from placing a story in a political anthology where only those of the same political persuasion would ever read it.
I hadn’t written to make a political point. I had written it as entertainment with a subtext the reader could ponder if they so chose. The readers would be left to decide what they thought about the social issues presented in the story. In that, I meant for the story to encourage thought, not to preach. In that way, the story is ambiguous, allowing the reader to agree or disagree with the main character’s actions. Who is the good guy? Who is the bad guy? It’s never black and white when you’re dealing with human motivation.
I assuaged these feeling knowing I would most likely receive a rejection anyway. Although, some part of me knew that if I sent the story in it would be accepted.
I submitted the story and moved on to other things. Four months later I received an acceptance. Despite my previous apprehension, I was over the moon!
The editor loved the story and asked me to include a 100-word bio with links to my blog, along with some basic information and my Paypal email to send payment. I signed the contract electronically. No further edits were required. My wife had edited me into print once again.
I was flabbergasted to discover that The Mesomorphic Woman was the lead story. For those not initiated, anthologies usually open and close with their strongest stories. It was an absolute honor to represent Daughter’s of Icarus: New Feminist Science Fiction: Women’s Wings Unfurled. And to date, it is one of my most prestigious anthology sales. We were reviewed by the Library Journal and Publishers Weekly.
“Strong pieces offer memorable takes on the notion of feminism in speculative fiction.”
“…on par with Pamela Sargent’s Women of Wonder Series…”
Although out of print, Daughter’s of Icarus is still available in ebook format here.
Next time I’ll talk about how I fixed a rejected story and sold it to another market.