Author Archives: David North-Martino

About David North-Martino

DAVID NORTH-MARTINO is the author of WOLVES OF VENGEANCE and the forthcoming YEAR OF THE DEMON. His short fiction has appeared in numerous fiction venues including, Epitaphs: The Journal of the New England Horror Writers, the From Beyond the Grave anthology, the Daughters of Icarus anthology, Afterburn SF, and Dark Recesses Press. A graduate of the University of Massachusetts, he holds a BLA in English and psychology. When he’s not writing, David enjoys studying and teaching martial arts. He lives with his very supportive wife in a small town in Massachusetts.

The Scribe’s Arcanum: Anatomy of a Sale—Graven Image: Part 1

Despite my best efforts to the contrary, I made my second fiction sale in 2007. I hadn’t been focusing on my writing. Instead, I had spent most of my time pursuing a business opportunity, and earning a long overdue bachelor’s degree. The sale itself came as a surprise. You see, the same paying market that rejected my story would accept it not long after. Here’s how it happened: 

One morning, I awoke from a nightmare. In the dream I had been staring at a monitor bank, and on each screen was a live video feed of of a corpse in repose. The image remained with me, and I ended up building  the story Graven Image around it. 

Having worked for many years in the security industry, working my way up from a security officer to a manager at a nine building Fortune 500 corporation, before being promoted into the HR department at the district office, I decided I would write about a character who had been downsized from a job in corporate America and ended up needing to take a security job to make ends meet. 

Although it’s never mentioned, to round out the setting, I decided to set the mortuary in the story in my fictional town of Wellington, Massachussets. My first novel WOLVES OF VENGEANCE also takes place in the same fictional location. A forthcoming thriller novel, YEAR OF THE ASSASSIN, has characters connected to that town, but there is no supernatural element in the story.  

Much like my previous story sale, Despair, this tale is pure horror. Some of my later works tend to mix the horror genre with crime fiction or science fiction. 

After finishing the story, I began the process of sending out Graven Image to market, starting with the top markets and then working my way down from highest paying to lowest. 

Although, this is a tried and true method, it’s not always the most efficient way to make a sale. More on that in another post. 

 Close to four years had gone by with only rejection letters to show for my efforts. I was active on a horror fiction message board at that time and noticed that some novelists, with mass market paperback deals, were submitting to a webzine called The Swamp. The  Swamp didn’t offer payment, but just like with Dark Recesses Press, I liked the people who ran it, and felt it would get my work some exposure. 

The joke is that people die of exposure. But I needed an acceptance of some sort to keep pushing on. There was no guarantee that I’d get an acceptance, even in a non-paying market. I figured it was worth a shot, and if I got in, the acceptance would place my story next to some successful writers.  

Finally, I received an email acceptance. I’d have my first publication credit, and a sample of my work that could be read for free online. I was stoked! 

 I received great feedback on that story. Readers liked the creepy atmosphere, and two family members refused to read any more of my horror stories because they said it gave them nightmares! That’s high praise when you write horror.  I had transfered my nightmare to at least two other people. Mission accomplished! 

Three years later I would attempt to sell Graven Image as a reprint to a paying market. Like I mentioned above, it would be rejected by a paying webzine before later being accepted by that same webzine. I’ll tell you all about how that happened, and how I made my second paid story sale next time. Since, like Despair, Graven Image is out of print, I just might post it here on my blog after posting Part II.

Stay tuned! 

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DESPAIR by David North-Martino

DESPAIR by David North-Martino ©2006, 2019 

1st place winner in the 2nd annual Déjà vu Horror Contest at Dark Recesses Press. Originally published in their 4th issue. 

I awoke naked and in pain, pulling my share of covers off of Norman who had stolen them during the night. The cool cotton soothed my bare skin, especially where the diffused light, searing between the Venetian blinds, had touched my flesh. 

He didn’t know how fortunate he was to be with me. So many men longed to see the woman behind the voice. And they should, for even though I use many, my true name means desire. And it was in sleepy desire that I nuzzled against his nakedness. Ice.

Instinctively I recoiled—leapt off the bed—felt the wrath of the sun—and thrust the blinds shut. 

My eyes adjusting to the semi-darkness, I crept over the threadbare rug to the foot of the bed. Knuckles white, I grasped the end of the covers and whipped them to the floor. Norman’s naked body illuminated the darkness. 

Where had I seen that glow before? It brought on memories of paste-on glow-in-the-dark stars and oddly my parents and their untimely deaths.

The puncture wounds on his neck suggested what had caused his untimely death. Vampire!

Laughter threatened to escape my lips. An asylum of thought invaded my mind, straightjackets and Thorazine. My photo-toxic youth had been filled with vampire romanticism and blood wine eroticism, but I had never considered myself so foolish as to believe in the legend of the undead.

#

 

I don’t like to travel during the day, when the Sun spreads its wicked light throughout the world. Even though mid-September slowly crept toward October, the day wasn’t cool enough for my brim hat, opaque scarf, and trench coat.

The cabdriver didn’t give me a second glance; he called into dispatch, mumbling too close to the microphone.  An equally incomprehensible voice squealed back high pitched pain and I wondered how the driver could translate the squawk into speech.

We rolled lazily down route 119 passing the Entering Massachusetts sign. The driver didn’t speak and I didn’t encourage him. I needed time to think, time to decide if the coldness of my heart could mourn my dead lover.

The woods rolled by, a blur of green and bramble, as the meter clicked off the miles. 

Then, as the woods receded I saw it, the mansion, enshrouded by an emerald fog, superimposed on a hilly clearing.  The structure, a collage of gothic architecture, stood among homes of modern design. 

“Do you see that?” I asked the driver.  

He glanced to the right, where I had pointed, and then brought his attention back to the road. 

“See what?” 

“Right there—that mansion?” I was so sure I had never seen it before.  

“They all look like mansions to me Miss. You should see where I live.” 

We passed by in silence. The mist that encircled the manor radiated an electric white that mirrored the color of Norman’s corpse. I knew I would have to return, until then I would remain haunted.

#

 

When the sun fled the horizon, I awoke. Loneliness bled back into my reality. Norman’s passing brought more than the residual depression I always felt after a night of unemotional sex, it left me with a numbing emptiness.

I called Susan and let her know I wouldn’t be available for work. Usually when the men call me for phone sex I find it a great distraction, even a release. But tonight I couldn’t bear to talk dirty or fake orgasm. Tonight I needed to go hunting.

Leaving my apartment I walked through the sleepy darkness, the unnatural quiet of the quaint downtown.  Instinctively I knew I would see him—Norman’s killer—but I had no plan as to what to do when I found him.

#

 

St. Augustine’s church bell tolled out the hour.  

Midnight. 

I saw him. 

A beautiful man, he exuded glamour as much as the same haze that enshrouded the manor. I swooned, like a foolish schoolgirl enamored by a first crush, and I had no choice but to follow him. 

He darted into an alleyway. Fear followed me as I approached the darkness. His phosphorescent glow lit the passage a lighter shade of dark. I followed him to a fire escape. He lifted his arm, a stiff gesture, and the stairs descended. He climbed effortlessly. Unable to escape his thrall I followed him and found my ascent pure labor. 

He gestured again and a window opened. 

My foot slipped from the stair. I looked down to secure my footing and when I looked up again, the landing by the window stood empty.

When I reached the window I looked inside. His glow revealed a woman sleeping in the nude, the covers helter-skelter, and her body twisting as if caught in a lurid dream.

He savored her the same way I had once savored wine, taking a sniff of her scent before plunging his fangs deep into the soft tissue of her throat. Her unseeing eyes shot open. Her mouth bowed in either terror or ecstasy, perhaps both. Her pupils clouded, her lids slackened, the rosy hue of her mouth and nipples frosted white. 

He looked up at me, his mouth frighteningly attached to her ecstatic body. His lips drew up into a half smile, restricted as they were by the flesh of her neck. Laughter filled his eyes. He was not satiated, could not be even by a harem of blood slaves, and he wanted me next, I felt his need deep in my veins. 

Jagged panic cut the strings of his glamour.

Rusty rails burnt my flesh as I slid to my escape. The pavement came up fast, shocking the soles of my feet with an electric pain. Glancing back in horror I saw him smiling from the window, fresh blood giving him the countenance of a clown. 

The coldness of death chilled the air behind me. I didn’t look back, couldn’t bear to see his evanescent form, smell the sickly sweet odor of his recent meal.

The keys jangled their warning as I stabbed at the entry-way lock. Any moment he would be upon me. The bolt unbarred. I pushed inside, shut the door, and ran up the stairs. My apartment lock fought me for entrance, a battle I won out of sheer tenacity and will. 

Inside, I ran through the apartment, checked the window locks, and drew the blinds. His spiteful laughter echoed into my home as if no walls barred his entrance. 

“Come to me. You will come to me.” 

His voice, disembodied and ephemeral, ravished my soul that night, sent me into fits of hair pulling and maniacal laughter. For the first time I could recall, I welcomed the return of daylight. 

#

 

The next night I did return to him. He made it easy. Back on route 119 I let the twilight mist be my beacon and suffered the citrus face of an old cabby, once, when he saw I was carrying a wooden stake I had used as a prop one forgotten Halloween, and then a second time when I asked him to let me out on the side of the road with nothing around but the darkness and the music of crickets. 

After handing him a wad of cash, gleaned from my dead lover’s wallet above and beyond services rendered, his face turned alkaline and he made quick work of squealing the tires on the old converted station wagon. With fear betraying my footing I ascended the hill toward the mansion.

#

 

The manor door opened of its own accord the same way they always did in black and white horror movies. My trepidation was tempered only by my curiosity and desire to see this creature destroyed. 

“I told you, you’d come back to me.” He descended a fog enshrouded staircase, same out of date attire, same highbred bone; a handsome structure in which to hang the pale flesh of his face. With a twitch of his fingers the door, now behind me, slammed shut. Claustrophobia set in. The foyer in which I stood was enclosed by walls constructed of thought in a space that I instinctively knew was transcendental to time. 

I raised the stake, my mouth dry, my mind numb. A wave of his hand and the staircase evaporated. He stood what could have been no more than five feet from me, the walls shifting and swirling around us as if we had taken up residence in a cloud. 

“I see you have come to run me through with that splinter. Go on little girl tell me why.”

“Because you killed my lover.” For the first time I could recall, tears stained my cheeks.

“I don’t know that you can call it love when it’s paid for. But it was not I who killed your, as you say, lover. Let me show you something.”

I didn’t let him do anything. My hand slackened and the stake clattered to the floor. My spirit tossed and turned but my body wouldn’t obey.           

Frightening speed. An eye blink and he had bridged the distance between us. His mouth hovered agape, a mere inch from my vulnerable throat. I closed my eyes, anticipating the pain, the sweet release. I longed for him to take me then, to flow into his veins, to flood into oblivion.  A rage overcame my craving for him, for death, pulling my musculature, restructuring my bones. That part of me unbound, limbic, Precambrian, I pushed free of his will and tossed him into cumulous. 

The walls shifted again and he stood by a four poster bed which held last night’s victim, chained and helpless, enough blood left in her apparently for another night’s feed but now it was me who craved the blood that throbbed so close to the surface of her skin. A mirror faded into form over the bed, not for any Bathory pleasure but to show me what I had become.

A face stared back in that mirror, my face, hideous, sunken, fangs protruding over lip, the flesh wrapped tight around bone. 

“What have you done to me?”

“Nothing,” he said. “You’re a Defensive, a latent vampire. The legends speak about the Defensive’s ability to blend in with their prey, the necessity to kill only when provoked. That is, until they learn of their true selves.”

“I don’t understand.” I didn’t want to understand, I only wanted to run then, run and never stop.

“Remember when your parents punished you, and you killed them, drank their blood?” 

I didn’t need to remember, the image of them, of me, so young, so evil, projected now where the mirror had been. My tears continued to flow, every repressed memory breaking through the gates of my subconscious. 

“When you’re lover struck you in his drunken stupor…oh, but I see you’re remembering that too now. His blood allowed you to see the mansion, allowed you to see me. Oh, but I’m being rude, my attack has awakened your thirst. Maddening isn’t it? You need the blood of the living, yet I have none to give. No matter, I left enough in her for you.”

The woman screamed, her nails raking at my flesh, jangling the slack in the chains, but once I had wrapped my hands around her midnight curls and exposed her lovely throat she found it quite difficult to struggle.

#

 

He waits for me at a cheap motel in upstate New York. We’ve only spoken over the phone, if you call our conversations speaking. He wants to meet me, they all do.

I knock on the door to room 9. I listen as he hesitantly leaves the comfort of the bed and pads over to the door. The padlock clicks, he hesitates again, then with what I’m sure is all his courage he opens the door.

He’s not much to look at but I can see by the relief that floods his face he is quite pleased by my appearance. You never can tell what you’re going to get when you’ve only talked to the woman on the phone. 

He steps back to let me into the dim, dirty room. Inside I have no patience for words, I unbutton my blouse. His legs seem to give out and he quickly lowers himself to a seat on the bed.

He looks around the room, uncomfortable.

“What’s your name?” he asks.

“What name do I always use with you, you know it don’t you?”

“Tell me your real name, just your first name. I need to hear it, I’ll pay you more.” His nails-raking-on-chalkboard voice makes me want to shut him up.

Instead I smile bitterly at this poor wretch of a man. His facial expression seems to reflect some displeasure in what he sees in my smile. 

I will the change before his horrified eyes and now I’m sure he doesn’t like what he sees in my smile. He scrambles backward on the bed, hyperventilating, probably soiling his pants.

“My name is Desiree,” I say to him. “But all my lovers call me Despair.”

 

-FIN-

The Scribe’s Arcanum: Anatomy of a First Sale—Part 5: The Aftermath 

The Scribe’s Arcanum:

Anatomy of a First Sale—Part 5: The Aftermath 

I had spent six years working toward my first short story sale, and in that time, many things in my life had changed. Many things were about to change. One of the biggest: I was now a paid published author. 

In this day and age of self-publishing, being accepted and paid by an editor is a distinction worth mentioning.  Although, there’s nothing wrong with going the indie route, I’ve done it myself, it’s just a different situation. 

The sale also meant I could keep my HWA affiliate member status. I had completed a huge goal, and I felt like I was on a roll. 

Before making my first sale, I had committed myself to researching the opening of a small business. Of course, as soon as I made that decision, I ended up making my first fiction sale. In hindsite, I probably should have marshaled all my efforts into my writing career. Instead, I put most of my time resources into pursuing a business while also earning a Bachelor’s degree. With all that, we also visited California and Florida. Yes, 2006 was a very busy year!!!

Even so, I began attending author signings and conventions to jumpstart my networking. Feeling like a real writer for the first time allowed me to connect with other writers without feeling so much like a poser. 

One of the signings I attended was of a local writer who had had success in both the mass market and the small press. He told me that his first small press book had earned him an advance of $250 and seemed genuinely impressed that my first short fiction sale had earned me twice as much. It was certainly a great confidence booster. 

I also attended the Northeastern Writers Conference (NECON), a cozy and informal Rhode Island convention where the convention goers are welcoming and treat you like family. 

PNMDNMNecon

An amazing beginning, but it wasn’t going to get any easier. In the next installment, I’ll tell you what it took to make my second sale and how it was a sale that almost never happened. 

See you next time. 

Greatshell

The Scribe’s Arcanum: Anatomy of a First Sale—Part 4

The Scribe’s Arcanum:

Anatomy of a First Sale—Part 4

Unsure of who was calling me from Canada, I decided to check my email. I had just heard a notification, and the Canadian caller had yet to finish leaving a voicemail. 

I saw the newest email in my inbox and sighed. It was a response from Dark Recesses Press regarding the contest I had entered. In that moment, I believed I had received another rejection. How could it be anything else? I had suffered rejection for six long years, and knew nothing else. I was getting used to being disappointed. 

Pulling up the email, I scanned it quickly. 

“Blah, blah, blah… Rejection,” I said to my wife who was reading over my shoulder.  

“Wait!” Patty said, sounding excited. “I think you won.” 

“Yeah, right,” I said. “There’s no possible way I won that contest. Don’t you understand? I only get rejections.”

“No, read it again,” Patty said. 

Sure. Sure. Let’s prolong the misery. 

I began to read the email again. This time I did so slowly, methodically, and once I saw the part where the publisher had congratulated me on winning the contest, time seemed to slow. 

The room got brighter. I really couldn’t believe it. Out of something like 90 submissions, the editors had chosen my story. 

Then I realized that the publisher lived in Canada. Had she tried to call me? That certainly would make sense. 

I dialed into our voice mail and listed to her message. She wanted to personally congratulate me on winning the contest. 

I had to call her back! I had to call her back immediately!  Getting her number off the caller ID, I frantically dialed, but still felt I was living in slow motion.

When she answered, and after I introduced myself, time not only snapped back to normal, but accelerated. I have no idea what I said to her, but I do remember she was quick to get of the phone with me. I had gone from slow motion into manic overdrive, barraging her with a rapid fire word salad. At least she could tell I was excited!  

In the weeks that followed, I received a $500.00 check, a $40.00 Shocklines’ Edition of The Priest of Blood by Douglas Clegg (“Read that book, David!” Clegg would later tell me on the message board. And I did. It’s a fantastic novel.), and received a handwritten note from the publisher. 

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I would also receive publication on the Dark Recesses website, and in the PDF version that was available on CD ROM. This was all before the e-book revolution. 

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Of course, I also had bragging rights, and for the first time felt like a real writer.  And that’s how I became a paid, published author, and made my first sale. 

You can do the same with just a little talent, a lot of hard work, and plenty of persistence. 

In the final part of this story, I’ll tell you about the aftermath, and how I made the sale count for more than just a writing credit. 

DRP Graven Image

The Scribe’s Arcanum: Anatomy of a First Sale—Part 3

The Scribe’s Arcanum:

Anatomy of a First Sale—Part 3

Just about to give up hope on my vampire short story, “Despair,” I spied a contest at Dark Recesses Press. Time was growing short for getting a sale that would qualify me to remain a member of the Horror Writer’s Association. 

Dark Recesses Press had their 2nd annual Deja Vu Horror Contest coming up. This contest was all about familiar horror tropes.  For a small entry fee, I could submit a story that was either a parody of a genre trope or do something new and unique with the trope. I had just the story… or so I thought! 

I had no illusions of winning this contest, but with the story off working in the background at least I could dream.  As such, I gave it a quick read through and sent it by email to my wife for a quick proofread.

My wife reviewed the story. Having grown as an editor since her last revision,  she realized I had a character who served no other purpose than to die. She advised me to extricate the character from the story.

Impossible! There was no way I could remove the character. She was integral to the story. I was overtaken by frustration. I had a novel to get back to and new short stories to write. I didn’t have the time to complete a total rewrite nor did I have any way to get rid of this character without the structure of the story collasping. 

Deciding to sleep on it, the next morning I awoke with an answer. It was certainly one of those eureka moments. 

I realized I could employ a technique filmakers use when adapting a novel. They take two or more characters, and make them into a composite. In this way, they’re able to have one character do the work of two or more. This is necessary sometimes when condensing a long novel into a two-hour movie. 

The reduction of this character would shorten my story, but it would still be well within the bounds of the required word count. I went to work in earnest. 

In the process, I had to revise and rearrange the story, making it much tighter in the process. 

Patty read my new version and completed another proofread. We were both happy with the final results. Essentially, with all the changes, it was a new and improved story. 

Now, not only would I be breaking the rule of sending to the top markets first, I was also going against the advice of paying a fee to enter a contest. Money is supposed to flow to the writer. But the entry fee was small ($11.00 I believe), and I had interacted with the publisher, and one of the editors, on a horror message board. They were good people, and I knew their hearts were in the right place. In the coming months they were bringing  Dark Recesses Press from a micro-zine to a semi-pro web magazine. They were doing everything right, and I wasn’t going to let any well meaning advice get in my way of getting another rejection. No, sir! Not me. 

With nothing to lose, I paid my fee and sent the story off through email. Then I tried to forget about the whole thing. There was no way I was going to win, anyway. I just wanted to keep up my momentum. Maybe someday I would make a sale. Either way, I couldn’t stop writing. I had the bug, and I had it bad. 

One night in 2006 my wife and I were sitting on the couch with our laptops, the TV buzzing white-noise in the foreground.  The phone rang and I got up to to check the caller ID. To my surprise, someone was calling us from Canada. Who the hell was calling us from the Great White North? Most likely a wrong number, I thought. Yet, I wondered if it could be some long lost family member, my dad has people in Canada. I had also interacted with some Canadian writers on the horror message board. Why would they be calling me? I could daydream about someone wanting to collaborate, but the idea seemed absurd. I didn’t even have a first sale yet.  It was fun to dream, though. 

I returned to the couch, and then I heard the chime of an email notification. I clicked through to check it. Both the phone call and email were about to change my life. 

I’ll tell you about it next time. 

 

The Scribe’s Arcanum: Anatomy of a First Sale—Part 2

The Scribe’s Arcanum:

Anatomy of a First Sale—Part 2

In 2006 I made my first short story  sale. It was hard won and an amazing experience. Here’s how it happened:

I had joined the Horror Writer’s Association (HWA) as an affiliate member in the early 2000s. For various reasons at that time they were looking to jettison members who didn’t have any sales. They now required a semi-profesional sale of not less than $25 to retain affiliate member status and stay in the organization. They gave us a year to make affiliate or be cast out. 

There were rumblings from some members, but having an interest in setting goals with  deadlines, I took this as the perfect opportunity to do whatever it took to make my first sale. I had a year, and a year could go by quickly. I knew I had to get started right away. 

In addition, to complete this goal I would have to break a rule I was taking way too literally. That rule: start at the top market and work your way down. The problem with that strategy is it takes a long time. Especially when some top markets were holding stories up to a year (sometimes longer) before sending a rejection letter. On the plus side, if you made a sale it was going to be a big one. 

However, to achieve my goal, I wouldn’t be able to use that strategy any longer. At least, that is, until I made my first semi-pro sale. 

As part of this new strategy, I looked at semi-pro magazines that had sent me encouraging notes along with a rejection. Then I wrote stories specifically for that market.

I had done this at least once before, written a story specifically for a magazine that showed interest in my work.  One such magazine was Dreams of Decadence, edited by Angella Kessler. 

In the year 2000, my wife and I made a return trip to New Orleans. We hadn’t been back to NOLA since our honeymoon. We had stayed at the Bourbon Orleans, and a kindly bellhop had given us some advice on where to go and which areas to avoid. The dark and dangerous streets of the French Quarter excited my imagination. Then, in our youth, being adventurous, we found ourselves having drinks at a vampire bar, as part of a tour led by a self-proclaimed vampire who called himself Vlad. 

When we returned home, my experiences coalesced into the story, The Hours of Sleep. I’ll talk more about that story in another post. Suffice it to say, I sent this vampire short story to Dreams of Decadence and received a rejection letter. Still, Ms. Kessler wrote back telling me she thought the story was interesting and unique. No easy feat for a well worn trope. 

I decided to try my hand at writing a story specifically for her magazine. To do this we traveled to Pandemonium Books and Games in Boston to pick up some sample issues. It could have been Man from Atlantis, but I think it was Pandemonium. Either way, I grabbed issues from a handful of genre magazines.

Bringing them home, I read each magazine cover to cover and analyzed them to see if I could understand what made that particular editor tick. 

I discovered some simularites between the stories. In Dreams, the majority of the stories were written in the first person point of view, the protagonists were overwhelmingly female, and if I’m remembering correctly, the stories all had a dark ending. 

I set out to write a story with these qualities while retaining what I felt the editor thought unique about my story. I entitled the story, “Despair.” Aptly named, for as soon as it was ready to send out, Dreams of Decadence had closed up shop.  My dreams were dashed. 

I had also learned in the interim, most magazine editors, and those stalwarts who still read short stories, were sick of vampire fiction. Seemingly, no one was buying vampire fiction any longer.  What to do? What to do? 

I ended up putting the story away in what is sometimes known as “the trunk.” Yes, a trunk story, as it’s called, is an unsaleable story writers would place into a physical wooden trunk before the digital age. Today, writers usually just store the story on their computer hard drive (keeping a backup in the cloud), and move on. 

Eventually, in 2006, I took the story out of mothballs, performed another light edit, and then sent it out to a small press magazine that, surprise of all surprises, was actually looking for vampire fiction. 

This time I received another personal rejection. The editor said she thought the writing was excellent, but didn’t like first person narration and decided to pass.. I’m not that big a fan either. I figured that was the end of that story’s marketability. No one was looking for vampire fiction… or so I thought! Stay tuned for more in the next thrilling installment. Haha! 

The Scribe’s Arcanum: Anatomy of a First Sale—Part 1

The Scribe’s Arcanum

Anatomy of a First Sale—Part 1

How do you get published traditionally? A lot of newer writers have this question. I can tell you how I did it, giving you some insight into the process. This will be a longer post, probably the longest of the Anatomy of a Sale series since I have to start from the beginning. I’ll try to work though the background information quickly. 

I wrote my real first short stories back in junior high. I had the opportunity to read a story to the class, and once I did, I become known as: The Writer. There was another classmate who was known as: The Artist. I was envious of him as I had wanted to be an artist myself, a comic book illustrator to be exact, but found what I really wanted to do was tell a story. I discovered in short order it was easier to tell a story with words than with pictures——at least it was for me. 

Then in high school I wrote a short story for an English class. At the time, I was trying to sail under the radar. I couldn’t help but take up the challenge, and once my teacher saw I had talent, I lost the ability to remain invisible in that class. There’s a lot more to this story, but I’ll save it for another day. 

Fast forward to late 1996, early 1997. After a couple years of marriage, I felt settled down and focused enough to try my hand at writing again. This time I wanted to see if I could make a fiction sale. I told my wife as much, asking her to buy me a Writer’s Digest Short Story Market  for Christmas/Hanukkah. 

I made her a promise that with that tome by my side, I would write a story and send it out.  If nothing else, I’d get my first rejection letter. 

I had researched enough to know that even top writers like Stephen King had spent a great deal of time collecting rejection slips. I felt that getting a “thanks, but no thanks” letter was an achievable goal, and it kept me from worrying about the results. The worst that could happen was that I would be sent an acceptance letter and not get my goal of a rejection. That would have been a “failure” I could live with. 

I wrote my first story, with an eye towards making a sale, on a Brother word processor, sending out a hard copy in the mail and waiting breathlessly for the post office to send me a response. Instead of a rejection, I was surprised to read a short note informing me that that the magazine had just gone out of business. 

Immediately, I sent the story to a small press magazine. A few months later I received a very nice note written on a form rejection letter stating: “Good story! Just too traditional for this publication.” Not a bad first rejection. In-fact, it’s extremely good. Much better than I realized at the time. 

Most of my rejections were like this. I had immediately received encouraging letters and notes, but no sales. It was a better sign than I could have known. I was close, but life was getting in the way. By the end of 1997 I had transitioned into a  management position in the security industry. Producing reports and policies and procedures manuals kept me writing, and a  24 hour pager and 16 hour shifts kept me exhausted and with little time for anything else. 

In the year 2000 I completed a transition to a human resources position, regaining some of the time I had lost. With extra time came an emptiness I couldn’t seem to fill. I had returned to martial arts over a year earlier (having left my old school in 1997) and even though I loved my training, it wasn’t enough to fill me up. It was only when I returned to writing that I felt whole again. 

That year, I found a message board frequented by horror writers who had been popular in the 1980s. These authors had been my writing heroes, and they inspired me to return to my horror roots. Before that, I had spent most of my time writing science fiction. I figured I understood the horror genre more than SF, and that I would have a publication credit in no time. How wrong I was! 

In 2004 I placed a short story, “Graven Image,” with a webzine called The Swamp. I didn’t get paid for that “sale” but I did get an acceptance, something I sorely needed at the time. 

It wouldn’t be until 2006 when I made my first sale. Yes, It would take me six years to make my first paid sale. Persistance pays off. Persistance and practice. I’ll tell you how that happened next time. Stay tuned.